PO Box 882, Elkins, West Virginia 26241
Phone Hours; 9:00 AM to 6:00 PM, Eastern Time, Monday through Friday and occasionally on Saturday;
Banjos, Contact us...
Page updated 3-28-2020
Please Visit our Home Page for links to our guitars, fiddles, mandolins, and more.
The state of West Virginia is now under a "safer at home" order during the COVID-19 pandemic. That is, only essential businesses like grocery stores, pharmacies, and take out restaurants are open for business, I want to let you all know that since my shop is at home, I will be able to accommodate mail orders
Things I can do;
Ship parts and instruments. As long as the delivery services continue to operate, I can ship to your door.
Things I can not do;
1) Offer repair services. My crew will all be safe at home surfing the internet with nary a chisel within reach.
2) Welcome shop visitors to check out instruments.
Hopefully in my small way I can contribute a sense of normalcy during this international crisis.
Please stay safe.
FIVE STRING BANJOS
1940's B&D Serenader Silver Bell 4-String Tenor Banjo. $1,250. Sorry, Sold. Photos
1950's B&D Symphonie Silver Bell 4-String Tenor Banjo. $1,500. More infomation below. Photos
1908 Bacon Professional Special 5-string, internal resonator, $3,800. More infomation below. On Hold. Photos
1883 Henry C. Dobson 5-string. $1,400. More infomation below. Sorry, Sold. Photos
1920 Weyman model 25 5-string $1,000. More infomation below. Photos
2006 Goose Acres T-11 5-string Banjo. Sorry, Sold. Photos
1880's Cubley Fretless banjo $450 More infomation soon. Photos
1896 S.S. Stewart Orchestra grade 3 5-string banjo, $2500. More infomation soon. Photos
2011 Bart Reiter Regent. 5-string banjo. Nearly new condition. $1,250. More infomation soon. Photos
1911 Fairbanks by Vega 17 fret tenor banjo Engraved Gryphon peghead inlay. Rare, early tenor banjo. $1,700. More information soon. Photos
2019 Pisgah Wonder. 12" rim. More info and pictures soon. On Hold. $1,200
2019 Pisgah Rambler. Dobson tonering and spun-over rim. More info and pictures soon. $975
1902 A.C. Fairbanks Imperial Electric, with Consalvi engraved inlay. More info and pictures soon. $4,000
1921 Fairbanks by Vega Whyte Laydie NO 2. Very Nice, Pictures and more info coming soon. $2,300
2007 Chuck Lee Rose Hill, $1,500. More infomation below. Sorry, Sold. Photos
Openback 5 string banjos are a specialty here at Smakula Fretted Instruments. Everyone who works here plays clawhammer banjo, a style well suited to the open back five string. We do have resonator Bluegrass banjos for sale from time to time and currently have a nice Gibson bowtie RB-250 in stock. Please scroll down the page for more information.
Fifth String Railroad Spike Capos; Installed free on request when you buy one of our banjos.
1986 First Batch Goose Acres Electric. 1986 would prove to be a prophetic year for the American entertainment industry. It saw the births of Lady Gaga, Robert Pattinson, The Olsen Twins, Lindsay Lohan, Shia LaBeouf, and Drake, to name a few. And what cheesy, egomaniacal, overproduced hellfire hath been wrought in those brief 32 years. Meanwhile, in Cleveland, Ohio, the Goose Acres banjo company was catering to an entirely different sector of the "entertainment" "industry." Calling back to an earlier America when the five string banjo actually *was* a leading symbol of popular entertainment, these rare Goose Acres Electric banjos day represent a benchmark in modern banjo construction. Personnel on file at this time include Kevin Enoch, Bob Smakula, and Peter H. Smakula, to give you an idea of the quality of this instrument. It has an 11" spun over rim with scalloped tone ring, mahogany neck, 26 1/4" ebony fretboard, and engraved mother of pearl inlays. With the exception of new, SFI-installed frets, and a fresh bridge and Fiberskyn head, this instrument is all original. Tone is clear and snappy and projects like an opera singer, or, perhaps, Lady Gaga? We'll let you be the judge. Sent straight to your domicile in a hard case, plus shipping. (P.S. - Goose Acres banjos never hang around for too awful long, so if you want it, move quickly!) Sorry, Sold. Photos
New Enoch Tradesman by Enoch Instruments. 11" or 12" rim with black finish, 25 1/2" scale, natural finish walnut or cherry neck with a Dobson-style profile and round heel, Richlite fretboard with dot inlays and an adjustable trussrod. Geared Gotoh planet & 5th tuners and cool octagonal dowel stick. Available fretted or fretless. In our opinion, the best new utility banjo on the market. GB; $1,335 fretted, $1,265 fretless. All our Enoch Tradesman Banjos are made with the optional fretboard scoop.
Enoch Tradesman Flush Fret. A great place to start your fretless career. Instead of raised frets, this instrument has inlaid white lines where the frets normally go. You can get the fretless sound and have the accuracy as long as you are looking. New with a gigbag, with Scooped fingerboard; Walnut neck with 12" rim and neck scoop is on order $1,310
2004 Enoch Tradesman Fretless. Before the Tradesman banjos were standardized, Kevin Enoch experimented with different specifications. This banjo differs from most of the tradesman line as it has an Indian Rosewood fingerboard. All other specs are the same. Walnut neck with geared tuners and a 12" lightweight maple rim. We have it set up with a frosted plastic head and red Nylgut strings. Price is $950 and a Canadian made Everest hard case is included. Photos
Click here for a list of new and used Enoch Tradesman banjos in stock and ready to ship today.
1903 Fairbanks Whyte Laydie NO. 7. Our next guest needs no introduction - you may remember it from such pictures as "Exquisite Classic Era Banjos," "Exquisite Classic Era Banjos II," and "How Whyte was My Banjo." Please make welcome, this Consalvi inlaid No. 7! Really, though, if you are in the market for an instrument such as this, you may already know as much about it as we do. Here's the scoop, anyway. This banjo has seen a handful of modifications and repairs in its 115 years on this Earth. 3/4" of the ivoroid binding has been replaced, and there is a visible old repair on the back of the peghead. A string notch has been cut in the tension hoop, the left side of the 7th fret inlay has also been replaced and the tuners have been upgraded to prewar Ludwig planets. That said, the Consalvi inlays are in otherwise great condition, and beautifully showcase his peerless workmanship. The neck is curly maple with a carved heel, and the rim is 10-15/16" in diameter. It's outfitted cobra hooks with closed ball end nuts, a cammed no-knot tailpiece, and a vintage Clifford Essex calf skin head. It's fair to guess this may not be one's first choice for a daily player banjo, but if you do decide to have a tune or two on it, you'll find the tone is warm and balanced, and just a bit on the mellow side. Its tenure in the Smakula personal collection means it's been set up to play like a dream. We are offering it today for a pittance at $12,000. It's cool if you have to move some things around and call us back. We'll be here all day. Comes with a protective 1980's Ess and Ess hard case. Photos
1903 A.C. Fairbanks Whyte Laydie NO 2. Another iconic A.C. Fairbanks gryphon peghead banjo? How does Smakula Fretted Instruments attract so many to Randolph county, WV? It can only be that we are on the migration pattern of said flying beastie. Like most #2 Fairbanks banjos of this era, the peghead overlay, fretboard, and heel cap were manufactured from ebonized hardwood. Unfortunately the dying techniques cause the cell structure to decompose over the 100 plus years. To make this banjo play it's best for the next 200 years we replaced the fretboard with one of ebony having a 25-7/8" scale. The peghead and heel cap wood have been replaced with our own innovative coloring techniques to mimic the dark brown and black color of the original ebonized wood. Of course we re-inlaid all the excelent condition original Consalvi engraved mother of pearl decoration. The 10-3/4" rim has all the original hardware in excelent condition. The small proportion of modern parts includes new ABM planet tuners, a Schaller 5th, and Stern calf skin head. Tone? Just the right amount of clarity and mellow that appeals to my slightly notey style of playing. This one is $5,000 and we include a Superior hard case with brown exterior. Sorry, Sold. Photos
1916 Vega Tubaphone NO 3. If years of following Phish around and hanging out next to the race track has caused irreparable damage to your hearing, boy, have we got the banjo for you. Tubaphones are more known for power than subtlety (to say the least), and this one is certainly no exception. Over 100 years old and in nearly new condition, this cannon has a mahogany neck with attractive carved heel, 27" scale ebony fretboard, and a 10-15/16" rim. It's outfitted with a Renaissance head, cammed no-knot tailpiece, and the original peghead tuners have been replaced with modern ABMs. The original friction 5th string tuner, as well as all 5 of the original ivoroid knobs, remain. It came to us with some alignment issues, so it is also the recent recipient of an in-house neck reset. Tone is best described as extra-crispy, or, let's put it like this: if you're in the market for something that can sing louder and cut deeper than a Tubaphone, it's probably got a resonator. Clear enough? Yours for $3,800. Comes with original hard case. Photos
1923 Vega Tubaphone NO 3. As I sit here, writing this blurb, a heavy winter rain is falling on the shop. Soon, it will be Christmas, then New Year's, and then a long, muddy, misty, West Virginia winter to follow. It's the season for introspection, sipping hot tea, and who are we kidding - this isn't "Silent Night." At SFI, it's Tubaphone season all year round, an instrument that's about as introspective as the Super Bowl half-time show. Not to say this charming 1923 No. 3 doesn't have depth - quite the opposite. This original 5 string banjo has a mahogany neck with carved heel, 27" scale ebony fretboard, Vega vine peghead inlay, and a 10-15/16" diameter rim with Tubaphone tonering. In-house repairs include: neck reset, new fretboard binding, refret, new ABM planet tuners, and a Schaller 5th, still outfitted with the original grained ivoroid knobs. The playing is smooth and precise, and the calf skin head helps balance the brightness of the tone ring - snappy and articulate, with just the right amount of warmth. Comes in the original hard case with neat-o cloth Vega badge on the inside. $3,000. Photos
1923 Vega Tubaphone with Custom Doug Unger Neck (CA 2014). Another day, another fantastic "Back-to-the-Future" style banjo. No, we don't mean it's inlaid with a Delorean. We just mean that this banjo is where past and present not only meet, but blend into each other. The 26" scale mahogany Doug Unger neck is simply exquisite, with a fancy carved heel, and elaborate abalone inlays up and down the peghead and fretboard. The 10-3/4" rim is outfitted with a Fiberskyn and the namesake Tubaphone tonering, of course, and the dowel stick has a small abalone rectangle reading "D L E" - Douglas Lee Unger. Hardware includes geared ABM planet tuners, a Schaller 5th, and a no-knot tailpiece. Tone is round and articulate, and surprisingly well-balanced for a Tubaphone. All the fun of time travel minus the headache of having a disgraced nuclear physicist as your co-pilot. Highly playable and collectible, we are selling this banjo for $4,000, with a Superior hardshell case. Photos
1882 Fairbanks and Cole. Audrey Hepburn. Bugatti automobiles. The Biltmore estate. Sure they might seem like unquestionable icons of classic elegance, but in comparison to this instrument, they have the sophistication of getting arrested in the parking lot of a Tudor's Biscuit World for selling pirated DVDs. The 11 9/16" spunover rim has a gorgeous new Stern Calf skin head installed, a bone tailpiece, a two foot bridge similar to what it would have had originally, and a surprisingly comfortable original Walker's Arm Rest. The mahogany neck has an ebony backstrap, peghead overlay, and new 26 3/16" fingerboard installed here at SFI. All inlays are original save for a few on the fretboard. While the ebony violin style friction pegs aren't the most ideal in terms of modern functionality, they are what this instrument would have had originally so given its age and originality, we opted to install new reproductions. It's stung with Nylgut strings, and paired with the fresh set of frets it has, it plays effortlessly and sounds mellow with just a little bit of snap, as required by many black tied classic banjos players. Be the classiest person you know and get this. It embodies the best of 1882, in contrast with The Chinese Exclusion act and the death of Mary Todd Lincoln. $2,200 With TKL Hardshell case. Photos
1910 Vega-Fairbanks Tubaphone rim with Bob Anderson "Bee and Thistle" neck. Easily the fanciest bee- themed banjo in the shop. The Cocobolo neck has a 23 3/8" scale fingerboard festooned with inlays of honey bees, honey combs, thistles, and possibly the most elaborate bee hive ever inlayed on a banjo. The peghead overlay has a rather large thistle with bee on top presumably pollinating it, and the peghead's back strap is adorned with the rear view of that image. The neck also features extensive thistle themed heel carving that extends all the way up to the seventh fret, as well as Five Star Planetary tuners that have elegant amber knobs. The 10 3/4" rim's hardware is all gold plated minus the original cammed No-Knot tailpiece, and has the typical Vega blonde finish. Oh yeah and there are some more bees on the dowel stick. Overwhelmed? Yep, me too. But if you need a bee-lated Christmas gift for your favorite old-time banjo/apiary enthusiast, I humbly submit a suggestion. With TKL hard case, $6,500 Photos
1971 Vega PS-1, Pete Seeger Longneck. Pete Seeger - singer, banjo player, activist, and face of the American folk revival, thanks in no small part to his classic show, Rainbow Connection, which featured the likes of Elizabeth Cotten, Roscoe Holcomb, and . . . wait... Quest! The show was Rainbow Quest. Sorry. But I have to admit - a Seeger/Kermit co-hosted talk show would be nothing short of heavenly balm for the troubled world we live in today. But alas. Let us turn our attention to this dashing 1971 Vega Longneck. Built shortly after Martin Guitar acquired Vega, the parts of this banjo were made in Needham, MA and assembled in Nazareth, PA. It has a 32" scale, 10-15/16" diameter, Tubaphone tone ring with late period "dogbone" holes, maple neck, ebony fretboard, and Grover Rotomatic tuners. With the exception of an SFI fret job and new Remo frosted head, all parts are original. It also comes with the original Lifton "Built Like a Fortress" hard case. This instrument is in excellent condition and sounds fantastic, balanced perfectly from the rich low end to the clear, shimmery high end. Sent straight to your door for $2,500 plus shipping. Photos
1908 Bacon Professional FF, "Special" Made by Vega for Bacon. For early banjo manufacturers, cross-pollination was the name of the game. This lovely 1908 Bacon by Vega is a fine example of the result of those early days when makers were constantly buying, selling, collaborating, outsourcing, booming, and busting. David L. Day, credited as the originator of the Whyte Laydie and Tubaphone models, worked for both the Vega company and alongside Fred Bacon himself. However, it's important to note despite extant instruments marked Bacon & Day, there was never officially a Bacon & Day company. This particular banjo is reminiscent of a Tubaphone NO. 3 due to its engraved scalloped diamond fretboard inlay, and the engraved flowerpot peghead inlay, making the "cross-pollination" reference all the more apt. It has an attractive flamed curly maple neck with a new, 27" scale, ivoroid bound, ebony fretboard, with the original inlays reinstalled in-house. The 11" rim has an internal resonator with wave or "eyebrow" shaped sound holes in the back, and a new Renaissance head. Other new parts include ABM planet tuners, and a Schaller 5th. Setup with steel strings for precise playing, the tone is both deep and bright, and exceptionally articulate. An instrument that'll turn a collector into a player and vice versa. At $3800, it comes with a Superior hard case. Sorry, Sold. Photos
1920 Cole's Eclipse Professional. Though this is one of the banjos made late in this firms history, it is still a high quality instrument. With it's 27" scale and the 10 7/8" head it has a bright and precise sound. The ebony fretboard is inlaid with dots, the peghead features an engraved floral design. Modern ABM geared tuners have been installed, the frets replaced, and a proper neck reset done here in our shop. Condition is in the very good range. With a modern hard case this banjo is $1,900. Photos
1968 Gibson RB-250 Bow Tie Mastertone. Every instrument tells a story, and in the case of this 1960s Mastertone, that story is a confusing one. The original, yellow interior lined, Lifton case comes with three stickers: two are from an outdoor theater in Beckley, WV, from their productions of the Hatfields & McCoys and Honey in the Rock. The other is a San Quentin prison inventory sticker. Between these, the massive Kluson Firebird tuners, and sliding 5th string capo, there is an element of intrigue surrounding this banjo. If you'd rather be spared the detective work, not to worry - because one pluck of one single string is all it takes for this instrument to instantly give up any mystery or subtlety it might've possessed. We know that sounds unkind, but we don't mean it like that. All we're saying is, this banjo does exactly what it was designed to do: saw your brain in half, in a good way. It has an 11" black multi-ply rim, chrome plated, one piece flange, and the original 3-1/4 lb, 20 hole Mastertone tone ring by Jim Faulkner. The neck is mahogany, with a bound ebony fretboard, 26-1/4" scale, bound peghead with inlaid Gibson logo, and crown inlays up and down the fretboard. The plating does have some checking, and there's also a dent in the binding at the 5th tuner, as well as the treble side of the 5th fret. The maple resonator sports an attractive sunburst finish, as well as marquetry around the sides, similar to a resonator from an RB-800. Not that there's much question as to what this thing sounds like, but let us say it again: for exceptionally articulate, precise, and hard-driving banjo playing, there is simply no substitute for a Mastertone. Mystery solved. Take it home today for $2,200. Photos
1883 Henry C. Dobson. In recent years, Dobson banjos have enjoyed a resurgence in popularity, spurred forth by collectors seeking original instruments, as well as modern builders crafting banjos in the Dobson style. Though we here at SFI have always been partial to the elegant simplicity of the Dobson, one critique always seems to bubble up to the surface: enough with the paddle peghead! This matter is of course one of great subjectivity. Let us move on to the objective features of this excellent condition banjo, nearly 140 years old! It has a walnut neck with new rosewood fretboard, a 25-3/8" scale, and new geared Gotoh tuners. The 11" rim is outfitted with a new Rickard Dobson tonering (original tonering was missing), as well as a Renaissance head. It's difficult to overstate just how pleasing this instrument is to play and listen to - articulate & up-front, but balanced with the right amount of bass and warmth. A banjo for darn near all occasions. It's safe to say someone is going to want this bad boy, so unless you want to find yourself up the creek without a paddle, act fast! Yours for $1400, with a heavy TKL gigbag. Sorry, Sold. Photos
1895 Acme Professional by S.S. Stewart. Let the Wile E. Coyote chuckle-fest begin. It's arguable that this banjo would've been the tool that finally ensnared the Roadrunner. Its warm, articulate tone, and eye-catching appearance might've sent the fleet-footed-fellow actually running toward Mr. Coyote for once. But alas, this is all speculation, and since we are absolutely certain this lame joke is out of steam, let us move on to those sweet, sweet specs. Acme Professionals were manufactured around the turn of the 20th century for Sears by S.S. Stewart. The ebony peghead overlay is decked out with fancy abalone inlays, and the 27" scale ebony fretboard features a vine inlay flowing from one fret to the next, made of abalone and copper wire. It has a cherry neck, and a carved heel which boasts a solid crack repair. The outside of the 11" maple rim is spunover with nickel plated silver. 23 out of 30 brackets are original, with the remaining 7 being close, but not exact replacements. The high quality vintage calf skin is a stunning shade of . . . beige, and it's outfitted with a Common Sense style tailpiece, as well as nylgut strings. Simply put, this instrument has a ton of character and sounds fantastic, so don't drop it on a bird's head. Play beautiful music on it and tote it around to make your friends jealous. For $1,500, it comes with a funky faux-alligator skin chipboard case. Photos
1895 S.S. Stewart Banjo-Banjeaurine. Like an elf with impeccable fashion sense, this instrument is diminutive in size only. Formerly in the Tsumura collection (pictured on page 221 in "1001 Banjos"), this banjeaurine is an excellent example of classic S.S. Stewart style and craftsmanship. The 21" scale cherry neck has a carved heel and fancy abalone inlays up and down the ebony peghead and fretboard. It has a 10" spun over rim, with attractive marquetry on the inside. Hooks nuts and shoes are all original. Non original parts include Pegheds geared tuners, vintage Elite tailpiece, LaBella nylon strings, Remo top frosted head, and new bridge. After overcoming the initial difficulty of playing a banjo with inlays at every fret, we think you'll find this instrument is a delight to play - mellow, but articulate, and so cute we might just scream. Comes with vintage hard case. Yours for $2,500. Photos
1896 S.S. Stewart Thoroughbred with Fretless fingerboard. No horse jokes today. Just cold hard facts about this excellent banjo. First and foremost - if you've always wanted to present yourself to the world as a person of intrigue and refinement, now is your chance to throw some money at that cause. This gorgeous 1896 Stewart is, in our humble opinion, the perfect balance of subtlety and "look-at-me." This effect is in large part created by the contrast between the original fancy peghead overlay, beautifully carved heel, and new, fretless, ebony fingerboard. The 11-1/2" spun-over rim is outfitted with a thick calf skin head, and the cherry neck has been refinished. Surprisingly not-frustrating friction tuners keep a short leash on the nylgut strings. The sound is warm with good clarity, and the new fingerboard means it plays great. An item that is sure to delight collectors of Stewart banjos, and anyone with a zest for fretless / solo banjo playing. This lovely instrument is yours today for a "mare" $1,000. (Sorry.) Comes with a gigbag. Photos
1894 Stewart Orchestra, Grade 2. Did you know that the full name of S.S. Stewart's business was actually S.S.S.S.O.C.B.C? "Samuel Swain Stewart's Stream of Consciousness Banjo Company." What we mean is, when it comes to ol' Sam and his endless designs, nothing surprises us all that much. For example, this 1894 orchestra, with its enormous 13" diameter spunover rim, is about as subtle as a ten gallon hat, only much more stylish. Furthermore, the interior of the rim has some nice looking faux-rosewood graining, whereas the inside of a ten gallon hat is just more foam. With lovely pale abalone inlays from top to bottom, the cherry neck has an ebony peghead overlay and fingerboard, and a carved heel. In-house repairs include: new dowelstick with veneer of original graphics glued on, neck reset, refret, new ABM planet tuners, and a Schaller 5th. It's also outfitted with a recent Stern calf skin head. And yes, its volume is just a touch on the hazardous side, but it's nothing that the conscientious and considerate player couldn't temper with their attack. Aside from its volume, the tone offers a nice balance of bass, sustain, and sparkle. We are selling it for $1600, with a worn but solid condition vintage case. Sorry, Sold. Photos
Circa 1895 SS. Stewart rim with modern Jim White fretless neck. Much like DJ Jazzy Jeff, the name S.S. Stewart is synonymous with '90s music of various centuries from Philadelphia. Similar to the many of the sweet jams DJ Jazzy Jeff is involved with, this instrument is something of a collaboration. While the 12-3/8" spunover rim is an S.S. Stewart creation, the stained maple neck and rim interior marquetry is the handiwork of Seattle based craftsman Jim White. Using original Stewart style decoration Mr. White has created an appropriate presentation grade fretless that's as attention grabbing as the jacket Mr. Jazzy Jeff wore on the cover of Things That You Do. The peghead is covered in engraved mother-or-pearl. The ebony fingerboard has less decoration, but is quite complementary of the peghead. Turn the banjo over and get a dose of the large carved lion on the heel and the floral carving on the back of the peghead. The 5-star planetary geared tuners and Schaller 5th are upgraded with carved bone knobs that are beaded around their exterior perimeter. For a sound somehow deeper than the lyrics to DJ Jazzy Jeff and Fresh Prince's 1991 hit "Summertime" we set it up with Nylgut strings and tuned low to an open E. We can't resist a banjo that booms like that sick Kenwood system you installed in your Impala after DJ Jazzy Jeff and The Fresh Prince dropped there aforementioned smash hit. Bottom line: this banjo is really fun and inspiring to play. With a Lifton hard case from the 1960's, this banjo is $3,500. Photos
1917 Lyon & Healy's Own Make, Style A. The Wunderkammer (German for "cabinet of curiosities") was, in essence, a roomful of weird stuff - relics, antiquities, works of art, and even preserved pieces of human & animal anatomy. And just like Lyon & Healy banjos, you don't hear about them too much in popular culture these days. Questions of cultural relevance aside, this L&H "Own Make" Style A is a Wunderkammer unto itself, and well worth a second look. Interesting specs of this instrument go on and on. The unusual tonering design (patented in 1908) is essentially a Little Wonder tonering on stilts, and the rim is held together by a generous 30 brackets. Furthermore, the underside of the rim is studded with five small pieces of bone - presumably to protect the rim when laid on a flat surface? It's difficult to say. Then there's the vaguely tulip shaped peghead, with decorative spaces in the overlay that allow the maple to show through (quite attractive, actually). Speaking of, the all maple neck has a 27" scale ebony fretboard and fancy abalone inlays. The 10-13/16" diameter maple rim has been outfitted with a new Renaissance head, and it also comes with the original Kershner tailpiece. In-house repairs also include a neck reset, refret, new French polish on the neck, and installation of ABM planet tuners and a Schaller 5th. Tone is crisp and twangy. A most curious instrument indeed, and it can be yours today for just $1,400, including a hard case. Photos
1895 Unmarked Lyon & Healy 5-string banjo. What comes to mind when you hear the phrase "crispy delight?" If you answered fried chicken, bacon, or potato chips, you need to learn some willpower. But since you're in the wrong place for that anyway, let the diet start tomorrow! We are of course referring to this fantastic unmarked Lyon & Healy banjo. With fancy-funky abalone inlays up and down the peghead and ebony fretboard, a carved heel, and the original Talon tailpiece, this banjo is as stylish as it is fun to play. It has 25-1/2" scale, an 11" spunover rim, and a mahogany neck. In-house repairs & adjustments include: new French polish finish on the neck, refret, neck reset, installation of ABM planet tuners, a Schaller 5th tuner, new hooks and nuts, and a new Renaissance head. Needless to say, it plays beautifully, and the tone is as bright and crisp as an LED headlamp fried in tempura batter. And if talk of such a thing makes you hungry, we suggest seeking professional help, or purchasing this banjo in a hard case for $1400 - imagine all the junk food you won't be able to afford for that amount. Here's to the new you! Photos
1920 Weymann model 25. "I don't always play banjo, but when I do, it's a Weymann." - what Jerry Garcia might've said had he lived to see Dos Equis' 'Most Interesting Man in the World' ad campaign. It's well known that Jerry was consumed as a young man by a love of bluegrass, an avenue he would revisit throughout his career. It's also well-known that Jerry was partial to Weymann banjos, and as we are constantly saying around the shop, "If it's good enough for Jerry Garcia, it's good enough for us!" And we are certain that this 1920 model 25 is good enough for you, too. It has a maple neck with 26" scale ebony fretboard, and a 10-1/2" diameter, 1/2" thick maple rim. New parts include geared Gotoh tuners, Renaissance head, No-Knot tailpiece, and it's also been recently refretted right here at SFI. Tone is clear and snappy - an all around un-fussy, unpretentious, nice sounding instrument. How will you get by, how will you get by, how will you get by, how will you survive, if you don't pick up the phone and order it before it's gone? $1000, comes with a Harptone hard case. Photos
Cubley Flush Fret. Arguably the most playable and well preserved of our recent glut of Cubley banjos, this late 19th century instrument is tuned extra low and ready to growl for you. It has a walnut neck with 25-1/2" scale, slotted headstock, slotted 5th string, and geared tuners. The 11" diameter rim is still outfitted with the lovely, original calf skin head, and all of the original nickel plated hardware is intact as well, including the patented Cubley tailpiece. The flush frets are dressed up on the fingerboard with some attractive yet understated marquetry. This, combined with the rich, mellow sound of the well-aged gut strings, means you will be the belle of the ball, if the ball is someplace where people are extremely anxious to sit quietly and listen to someone play a Cubley banjo. Stranger things have happened. Yours for $700, comes in a cardboard case. sorry, sold. Photos
2007 Chuck Lee, Rose Hill Model. This Chuck Lee banjo is like a pot of chili on a cold day, or an extra deep, secret swimming hole on a hot one. It would also probably work in a pinch to fend off a rabid dog or a home invader, but we're pretty sure you'd lose your nerve at the last minute - it's just too darn nice! Yes, this instrument is a tad on the burly side, but still pretty lightly built given its specs - a cherry neck with 25-1/2" scale ebony fretboard, and a 14 bracket, 3-3/16" deep, 12" diameter rim. The neck also features some nice-looking decorative veneers down the center. And though there are no inlays on the fretboard, side dots are present in their standard positions - (3rd, 7th, 10th, 12th, 15th, and 17th frets). Other aesthetically pleasing features include the small, asymmetrical star on the peghead, s-scoop in the fretboard, and black and brown finish on the rim. Tonally, it is exactly what one would expect - plunky, woody, and deep. And worry not - that formidable low end doesn't come at the expense of clarity. An all around nicely balanced banjo. Snag it today for $1500, including a heavy duty Gold Tone gig bag. Sorry, Sold.
1960 Harmony Resotone. When Leo Baekeland invented the first synthetic plastic in 1907, it's difficult to say whether or not he would've approved of his invention later being used to further the cause of banjo players and banjo sympathizers. But, it's not our job to speculate - it's to get the very best of yesterday's weird & wonderful instruments into your hands. Bakelite was originally used to make automobile distributor caps and parts for radios and telephones, but that doesn't mean this 1960 five-string isn't a practical implement. On the contrary, it is more than loud enough to make sure band practice never goes on longer than it has to. This banjo has a 26-3/4" scale poplar neck, the original guitar style peghead tuners, and of course, the aforementioned, 10-7/8" dark brown-finished Bakelite rim, with integral flange instead of shoes. It's been outfitted with a new Remo cloudy head, as well as a geared Gotoh 5th tuner. It also comes with the original Bakelite resonator, easily mounted or removed based on what the situation calls for. This instrument is ideal for student players who want something with just a touch more character than current factory made offerings, or for those who simply revel in all things funky, cheap, and fun. $200 with vintage cardboard case. Photos
New Recording King RKOH-05. Do you hear that? It's the weary and worrisome staff of SFI, breathing a collective sigh of relief for beginning banjo players everywhere. Why, you ask? Five words: Recording King Open Back Banjos. In recent memory, we've been consistently impressed by the quality of Recording King's budget priced guitars, and now we are happy to offer a similarly priced banjo of the same caliber. The RKOH-05 has a mahogany neck with 26-1/4" scale rosewood fretboard, and an 11" cross ply mahogany rim. Both neck and rim are attractively finished in dark red mahogany. It's outfitted with geared guitar-style tuners, and a frosted head. 5th string railroad spike and SFI wire armrest installed at no additional charge. Tone is balanced and full bodied, and it plays great. A fine choice for anyone on the hunt for their first banjo, or anyone in need of a solid playable instrument that can handle overhead storage bins, festival mudslides, etc. Yours for $250. Comes with Superior gig bag. Pictures coming soon
J. French Cleve'd O. banjos. J. Lafayette French made banjos in Cleveland Ohio from the 1870's to about 1900. We are currently researching J.L. French and his banjos. If you have any information on J. Lafayette French the banjo maker, or his family we would love to hear from you. We are also documenting any banjos made by his company. Please click the contact button and let us know what you know. We will also gladly answer any questions about J. French banjos to the best of our ability. Check out the in progress web site www.jfrenchbanjos.com
J. French Banjos, Contact us...
1923 Vega Tubaphone Style M rim. 11-13/16" diameter. All hardware and dowelstick is included. Nice original condition. Ready for your 5-string conversion neck $700. Sorry, Sold. Photos
1915 Cole Tenor Banjo marked S.S. Stewart. In this late period in Cole's manufacturing timeline they were making instruments for other companies. We have had some Cole banjos marked Washburn and now this one Marked S.S. Stewart. After Samuel Swaim Stewart passed away, his company passed through several hands. At the time this instrument was made the Stewart trademark was owned by Buegeleisen and Jacobson (B&J) a major musical instrument wholesaler. As a tenor banjo, the restoration work is significantly more costly than the value of the banjo. But the 10-15/16" diameter rim will make a great conversion. All the parts are there and the rim has a great Rogers calf skin head. Price is $500 in as is condition. Photos
Early 1920's Slingerland Rim. 10-3/4" natural blond finish maple tim with steel hoop tonering. In nice used but not abused condition. $250. Photos
1926 Bacon Style C Rim. 11" diameter, curly mahogany veneers inside and out. No tonering model. $350. Photos
1920 Vega Style K Rim. 10-1/8" diameter maple rim with steel hoop tonering. Burnt orange finish with some flaking. New hooks and nuts. $250. Photos
1925 Vega Little Wonder Banjo Rim. 10-15/16" maple rim with a pro natural refinish. No dowelstick. $450. Photos
FOUR STRING & MANDOLIN BANJOS
1950's Bacon Symphonie Silver Bell Tenor Banjo. Behold - the beguiling and potentially lethal spawn of a slot machine and a Christmas tree (and maybe a wedding cake). We like to think of instruments like this 1950s Silver Bell as more of a dare than a product for sale, though it is most certainly for sale. With all gold plated metal parts, clover leaf flange, engraved, pearloid covered resonator, engraved, rhinestone encrusted pearloid peghead, and painted, engraved, celluloid position markers, if you melted down the estate of Liberace and reconstituted it in banjo form, you might end up with something like this instrument. Furthermore, the 11" archtop rim is outfitted with a Ludwig cloudy head, Symphonie Silverbell tonering, and a reproduction Richelieu Oettenger tailpiece. The neck is maple with a 23" scale ebony fretboard. Tone is snappy, bright, and powerful, and it plays beautifully. Perfect for those who need to be heard in band situations, overcrowded jams, or nuclear wars. Yours for $1,500, including the original case. Photos
1930's Gibson TB-00. A popular candidate for 5-string conversions, this 1930s TB-00 is a surefire powerhouse regardless of how many strings are on it. We here at SFI are quite pleased with it in its current state of 4, and were we a little more sadistic, we might take it to the Thursday night local old-time jam and see who we can frighten. The maple neck has a 22-7/8" scale Brazilian rosewood fretboard, and a 5/8" thick, 11" diameter maple rim. It's outfitted with a Waverly tailpiece, Grover two-tab tuners, and an otherwise good condition resonator minus some warping. Furthermore, one piece, pot metal flanges such as the one found on this instrument tend to curl up over time from the constant pressure exerted on them by the hooks and nuts. This particular flange has curled very little in its nearly 100 hundred years on planet Earth, so, party time, bonus. Bright and powerful sound. Yours for $1,600, comes in the original hard case with purple velvet lining. Photos
1922 Gibson TB. Though this blurber can't play more than a few paltry licks and chords on a tenor banjo, he is enamored all the same of this 1922 Gibson. With a 19" scale ebony fretboard, it's on the short side for a tenor banjo. The 10-1/2" rim is outfitted with a Renaissance head, but missing is the original trap door resonator. The maple neck has a snakehead style headstock (too cool!), outfitted with guitar style tuners. Missing trap doors? Snakeheads? What is this, a Vincent Price movie? And yes, the signature tenor brightness and volume is there, but it's tempered with just a bit of welcome roundness and warmth. All in all, it's a slightly out-of-the-ordinary instrument that's not flashy in the slightest but has a ton of personality where it counts. Yours for $700, comes in the original hard case. Photos
1920's Paramount Style A tenor banjo. If anyone out there with a flare for graphic design would like to re-envision the Paramount Pictures production logo as a tenor banjo themed affair, send it to us, and we'll give you a free Smakula Fretted Instruments click-pen with your next order. Then, you can use that pen to write yourself an apology letter for being taken in by our scheme - everyone gets a free click-pen with their order. With a natural finished maple neck, resonator, and rim, 22-7/8" scale Brazilian rosewood fretboard, and fancy inlaid peghead, this 1920s Style A is as grand to gaze at as it is sonically satisfying. The 11-1/8" diameter rim is outfitted with a Paramount tonering, original flip cover Paramount tailpiece, and a delectable hot dog tailpiece. It has been recently refretted and set up with ABM planet tuners, replacing the original decomposed Page tuners. Powerful and articulate, it can be yours today for $900, including a 20 year old Harptone hard case. Photos
1926 Bacon Peerless Tenor Banjo. You know what they say - don't count your chickens before they hatch, a rolling stone gathers no moss, and, most importantly, it's lonely at the top! Fortunately for this "Peerless" tenor, it and thousands of its peers have a cozy little home toward the lower-middle end of things. That's not a dig, though the name is a little bit silly. Bacon in its heyday turned out piles upon piles of affordable, durable instruments that are still on the market and in the hands of players today. This particular specimen has a maple neck with 22" scale ebonized hardwood fretboard, an 11" maple rim with Little Wonder style tonering, and a bird's eye maple resonator with tulip flange. In-house adjustments include new Gotoh tuners, new Renaissance head, and a new No-Knot tailpiece. Set up in Irish tuning. Yours today for $600 including a hard case. Photos
1920s Washburn Banjo-Mandolin. Yes, it's loud. But there is a surprising warmth and nuance to this banjo mandolin that is rare in any eight stringed, banjo head equipped instrument. The 10 3/4" maple rim has a donut style tonering, which would be responsible for any trace of tonal subtlety this instrument has. The well-worn neck has a 13 1/16" scale fingerboard and a 1 3/16" nut width. This would probably make a really nice five-string conversion with some help from your favorite neck craftsman, but if you want your neighbors to "enjoy" your version of "Daybreak in Dixie" too, its perfect as it is. $600 with original hardshell case. Pictures coming Soon.
1920's Weymann Style 40 Mandolin-Banjo. Like Will Smith's character in "The Fresh Prince of Bel-Air," this banjo mandolin was West Philadelphia born and raised. While significantly older than Mr. Smith, this well preserved instrument has retained it's freshness through the decades just as he has. Anyway, the 10 1/2" rim and neck are both maple, and all hardware is original. The nut width is 1 1/4", and the scale length of the original refretted ebony fretboard is 14 3/16". And yes, it's loud, but it's a banjo mandolin so you knew that. $550 with original hardshell case. Photos
1925 Weymann Style 35 Mandolin-Banjo. This is a clean and interesting piece of Weyman's ingenuity. A 9" maple rim, with it's likely original calf skin head and the Weyman patented neck adjuster coupled with a one piece hard maple neck with a 13-7/8" scale fretboard. The big bonus with this instrument is the slip on resonator. Sure it's louder, but you also don't have to feel the neck adjuster dig into your belly when you stand up to play. The straight neck and recently dressed frets make this instrument play like a dream. We also made a custom compensated bridge so it plays in tune. Hmm The best of both worlds? Probably not, but this puppy has the punch to be heard in any jam session. From Jug band to alt rock this one will fit. In excelent condition and the price of $750 includes a boulder alpine gigbag. Photos
1915 Fairbanks by Vega Tubaphone style M Tenor Banjo. Manufactured only a few years after Vega first started producing tenor banjos. This one, like most style M's, has a maple neck. The scale length is 21" and has a freshly refretted ebony fretboard. The rim diameter is 11-13/16" and has all the original hardware with the exception of the reproduction No-Knot tailpiece. Set up for Irish playing, with low tuning and the Remo Fiberskyn head, this banjo has a full tone that is sure to please. 2 minor alterations worth mentioning; a filled hole on the back of the peghead & refinished headstock (good work) and new Gotoh tuners. In very good to excelent condition with an original hard case, this banjo is $1,200. Photos
1940 Wards by Gibson Tenor Banjo. A simple tenor banjo made by Gibson for the famed discount mail order and department store; Montgomery Wards. This banjo has a mahogany neck with a 22-3/4" scale dyed maple fretboard. The 11" diameter 2 ply maple rim is 5/8" thick and has 16 brackets. There was once a resonator, but is long gone. This one sounds great as a tenor and has great potential for a 5-string openback conversion. In better than good condition with a well worn soft (stiff cardboard) case. Price is $450. Photos
1923 Weymann Model 135 Tenor Banjo. This super clean instrument from the early jazz age is in mostly original condition. The blond maple neck has a 22" scale ebony fretboard with dot inlays with new Gotoh planetary geared tuners installed. Unfortunately the Weyman Keystone State decal on the back of the peghead has deteriorated. The 10-1/2" 6 ply maple rim has no tonering. The Remo Fiberskyn head sits directly on the wood. With the exception of the tailpiece, this banjo retains all it's original nickel plated hardware and includes Weyman's patented neck angle adjuster. Set up for Irish style playing, the tone is clear and precise. But all you early jazz fans take note that jazz tuning is as easy as a new set of strings and a bridge. An excelent condition instrument priced at $500, including a good gigbag. Photos
1926 Gibson UB-1. This is your chance to own a pre-war Gibson flat head banjo for about one tenth of the current market price of your coveted TB-3 conversion. Well, OK this instrument is not a Mastertone 20 hole flat head. Actually has no metal tonering at all. But it sure is loud! UB-1 were Gibson's least expensive banjo ever produced but with a maple neck and 2 ply 6" maple rim it does have the features of a high grade banjo. The resonator is a flat plate suspended with 4 spacers. I love the stenciled "The Gibson" peghead logo. In very good/excelent condition. At the price of $550 it comes with gig bag. Photos
1920's Slingerland Banjo Uke. Like other Slingerland banjo ukes we've had in the shop, this one offers a nice all-around vintage flavor that won't drain your bank account like a vampire. Just think of all the money you'll have leftover for iced coffees or whatever. It has a maple neck, ebonized hardwood fretboard, 13-7/8" string length, and 7" birdseye maple rim, outfitted with a calf skin head. Dowel stick is stamped S.S. Stewart Collegian, so you can walk around everywhere saying "check out my new Stewart!" if being sort of a liar is your thing. After a cleaning and a new set of strings, this little guy came out swinging. Good and loud, it does exactly what it was built to do - chugga-chugga-chugga-chugga. An ideal instrument to have on hand for those over-caffeinated Sunday mornings. $300, with gig bag. Photos
1920's Lyon & Healy "American Conservatory" Concert Banjo Uke. Submitted for your approval, the weird and wonderful Lyon & Healy "American Conservatory" banjo uke (because nothing conjures up the rarefied air of the conservatory like a banjo uke). First item requiring immediate attention is the swirly, stucco/enameled/embossed situation on the resonator. Initial research hasn't yielded any hard answers as to the material or process present here, but this much we do know - the resonator is brass and the what-have-you is relatively stable but peeling. Furthermore, this instrument has a mahogany neck with a 15-3/4" scale ebonized fretboard, and an 8" maple rim. Tone is full and punchy, and the resonator gives it a nice bit of extra volume and chutzpah. Quirky, yet straightforward, this is a fine player's instrument at an even finer price - take it home today for $350 in a gigbag. Photos
1925 Epiphone Banjo Uke. For the practical strummer with an ear and eye for the antique and the archaic (we guess)! One of two fairly similar Epiphone banjo ukes in stock right now, this 4+ lb mini-beast has an 8-3/8" diameter rim, high grade calf skin head, and a maple neck with a knot on the heel. Low precision action plus a new 13-7/8" inch scale ebony fretboard installed right here at SFI means it plays great. The natural maple finish, unique bracket band instead of shoes for hooks & nuts, and the original vintage Epiphone decal on the back of the peghead, means it looks cool, to boot. Snappy and articulate and plenty loud, it's yours for $550 with a gigbag. Photos
New Banjo Uke Case For Vintage Gibson UB-2 and UB-3's. Several years ago noted banjo builder and inlay artist Kevin Enoch designed and had manufactured the nicest hard case for his banjo ukuleles (see below). They fit most any banjo uke with an 8" rim, with a notable exception; vintage Gibson UB-2's and Gibson UB-3's. The plate resonator of these instruments made them taller than the Enoch case could accommodate. Partnering with Enoch Instruments, Smakula Fretted Instruments has released a modified version of that case to fit those 8" diameter vintage Gibson banjo ukes. This case is attractive, sturdy and affordable. The introductory price is only $95 plus shipping. Photos
Banjo Uke Hard Case. Designed to the specifications of Kevin Enoch, this banjo case is certainly the nicest one on the market. It fits openback banjo ukes and 5 string piccolo banjos with an 8" diameter rim, 23-1/2" total length and a maximum depth of 3" (from the bottom of the rim to the top of the bridge). The simulated leather covering is brown, and the lid is arched for extra strength. Very nice. Retail price is $120, our discount price is $95. Photos
New Wire Armrest for Openback Banjo. One of the most important accessories we sell is this reproduction Vega and Fairbanks style wire armrest. Adding comfort to holding the banjo allows you to concentrate more on playing. Any banjo we sell that did not come with an armrest has one of these installed before the sale. And if you need one for your other banjo, they are only $18 for nickel plated and $15 for the raw brass. Photos
Guide to Physical Condition;
New; An instrument that came to us from the manufacturer. It has never been owned by a consumer and has it's full warrantee.
Mint; As the instrument came from the factory. No blemishes at all
Near mint; Almost as it came from the factory
Excellent condition, a very clean instrument that has a few minor blemishes
Very Good Condition, reasonable wear for its age.
Good Condition; plenty of player wear.
Plus or minus indicates the condition is half a grade better or worse.
We ship most of our instruments via UPS. Cost to ship a mandolin is $20 to $40. Cost to ship a guitar or banjo is $25 to $60. The cost of insurance is extra. We will be happy to quote before shipping.
Small goods like banjo heads and other parts cost $8 per order for Priority Mail shipping in the continental US no matter what the order size. The cost of orders headed out of the continental US will be quoted before they are shipped.
We are legally obligated to charge 6% West Virginia sales tax on anything purchased here at the shop or shipped within the state of West Virginia. We do not charge sales tax on orders sent out of state.
Call us at 304-636-6710. For payment we accept checks, wire transfers and MasterCard & Visa. If you prefer Paypal, please send us an email requesting a Paypal invoice.
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