PO Box 882, Elkins, West Virginia 26241
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Page updated 10-21-2018
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FIVE STRING BANJOS
Openback 5 string banjos are a specialty here at Smakula Fretted Instruments. Everyone who works here plays clawhammer banjo, a style well suited to the open back five string. We rarely have resonator Bluegrass banjos for sale, but from time to time we will have one or 2 in stock. Please inquire, as those instruments might not make it to the web page.
Fifth String Railroad Spike Capos; Installed free on request when you buy one of our banjos.
1900 Fairbanks Electric, $2,700, Photos
1981 Stew-Mac Kit banjo; $400; Photos
1986 First Batch Goose Acres Electric. 1986 would prove to be a prophetic year for the American entertainment industry. It saw the births of Lady Gaga, Robert Pattinson, The Olsen Twins, Lindsay Lohan, Shia LaBeouf, and Drake, to name a few. And what cheesy, egomaniacal, overproduced hellfire hath been wrought in those brief 32 years. Meanwhile, in Cleveland, Ohio, the Goose Acres banjo company was catering to an entirely different sector of the "entertainment" "industry." Calling back to an earlier America when the five string banjo actually *was* a leading symbol of popular entertainment, these rare Goose Acres Electric banjos day represent a benchmark in modern banjo construction. Personnel on file at this time include Kevin Enoch, Bob Smakula, and Peter H. Smakula, to give you an idea of the quality of this instrument. It has an 11" spun over rim with scalloped tone ring, mahogany neck, 26 1/4" ebony fretboard, and engraved mother of pearl inlays. With the exception of new, SFI-installed frets, and a fresh bridge and Fiberskyn head, this instrument is all original. Tone is clear and snappy and projects like an opera singer, or, perhaps, Lady Gaga? We'll let you be the judge. Sent straight to your domicile for $2,200 in a hard case, plus shipping. (P.S. - Goose Acres banjos never hang around for too awful long, so if you want it, move quickly!) Sorry, Sold. Photos
1998 Enoch 100. Jeez, it seems we just can't get away from this Kevin Enoch guy. We told him to stop sending us his exceptionally well crafted and affordable Tradesman banjos. He refused. We stopped returning his calls, and yet the banjos kept coming. We've got nearly a dozen of his superb player's instruments in the shop right now, and to add to the madness, a beautiful, elegantly simple Enoch model 100 just walked in the door and has emerged from the SFI spa-treatment in better shape than ever. It has a walnut neck, 12" maple rim, 25-1/2" string length, along with a rolled brass tonering, and ebony fretboard. The simple, elegantly engraved star on the peghead is a great example of the peerless inlay work the Maryland Maniac specializes in, and the wonderfully aged and marbled goat skin head makes the whole package that much more charming. Though his face haunts our nightmares, the deep, round, exceptionally warm tone of this 100 is a dream come true for those looking for a classic, plunky, Round Peak-y sounding banjo. Shipped to your door for $1,800 plus shipping in a Superior hard case. Now please, call the police. Kevin's outside, holding something in his hands. The terrible glint in his eyes can only mean he wants one thing: TUNES! Sorry, Sold. Photos
New Enoch Tradesman by Enoch Instruments. 11" or 12" rim with black finish, 25 1/2" scale, natural finish walnut or cherry neck with a Dobson-style profile and round heel, Richlite fretboard with dot inlays and an adjustable trussrod. Geared Gotoh planet & 5th tuners and cool octagonal dowel stick. Available fretted or fretless. In our opinion, the best new utility banjo on the market. GB; $1,335 fretted, $1,265 fretless. All our Enoch Tradesman Banjos are made with the optional fretboard scoop.
Enoch Tradesman Flush Fret. A great place to start your fretless career. Instead of raised frets, this instrument has inlaid white lines where the frets normally go. You can get the fretless sound and have the accuracy as long as you are looking. New with a gigbag, with Scooped fingerboard; Walnut neck with 12" rim and neck scoop is on order, with delivery in October. $1,310
2009 Enoch Tradesman 1/2 Fretless. So you like playing fretless banjo but are afraid of hitting a wrong note up the neck? Then this is your banjo. It's fretless to the 6th and fretted from #6 to 17. 12" rim with a cherry or walnut neck. It's 9 years old but looks nearly new. With a gig bag. $1,000. Sorry, Sold. Photos
Click here for a list of new Enoch Tradesman banjos in stock and ready to ship today.
1910 Orpheum #1. This Orpheum #1 five-string banjo is now better than new. How could that be you ask? Most importantly, the original dyed hardwood fretboard is now replaced with ebony. Those dyed wood fretboards were less expensive than ebony 100+ years ago. Unfortunately they decompose over time and cause lots of banjo problems. With the new ebony board (using original and reproduction inlays) this instrument looks right and feels solid. Other repairs include neck reset and new planet tuners. The rim is all original and in great shape. Scale length is 27", rim diameter is 12 1/8". Perfect for those wishing to emulate Charlie Poole or Walt Koken. EC-, HC $1,950. Sorry Sold. Photos
1906 A.C. Fairbanks Whyte Laydie Number 2. Original Fairbanks and Vega Whyte Laydie banjos are among the most desirable of any manufactured. The Fairbanks Company, unknowingly, created a template that many openback banjo makers still use more than 100 years later. This banjo is exactly the instrument modern makers try to copy. The peghead sports the classic Griffin inlay engraved by Iccilio Consalvi. Though the peghead overlay is the original dyed maple, notorious for decomposing after 100 years, we stabilized it allowing the 100+ year look and solid structure. The original fretboard was also dyed maple, but had deteriorated enough that a previous owner had us replace it with a reproduction of ebony. We re-inlaid the original engraved position markers in a new 26-3/16" scale fretboard. New aged grained ivoroid binding was installed as well as new frets. Pre-war Ludwig planet tuners replace the original friction tuners that were on the peghead and a Schaller geared 5th tuner. The 10-3/4" Whyte Laydie rim is the heart of the instrument. With a half spun-over scalloped tonering and 28 brackets on the bracket band, this rim is right on. The original rim binding had deteriorated significantly. So we made the decision to replace it. Fortunately our celluloid supplier was able to make us some binding strips in an appropriate color. The rim's serial number matches the one on the dowelstick and the A.C. Fairbanks plate is present, complementing the Whyte Laydie and NO. 2 stamps. Though the instrument has some discoloration from years of playing, it is a solid great sounding and playing banjo. In very good condition, we are selling this banjo for $4,500 and include the original hard case. This banjo is truly a classic. Sorry, Sold. Photos
1891 A.C. Fairbanks Electric. Fairbanks Electric banjos are second only in renowned to the Fairbanks Whyte Laydie. Though many are confused by the "electric" moniker associated with these purely acoustic Fairbanks banjos. They were so named for their bright sound to be associated with the new invention of bright electric lighting. This particular instrument is a high grade in the early Fairbanks line. Fancy pale abalone inlays decorate the ebony fretboard and peghead overlay. The oak neck has a nicely carved heel and a backstraped peghead. Scale length is 25-3/4" and a nut width of1-5/16"the 12" diameter rim has the high-end appointments you would expect. Long two pointed shoes, cobra hooks with square ball end nuts, a newish high-grade calf skin head, and of course the full spun electric tonering. Set up with Nylgut strings, this banjo has a snappy sound and the low string height (1/8" at the 12th fret) makes it easy to play any style you choose.117 years old and in great shape. Price; $3,000 with a gig bag. Pictures coming soon.
1893 Fairbanks Electric. Never letting moss grow under his feet, A.C. Fairbanks was always experimenting and for the most part improving the banjos sold by his company. When I compare this instrument to the 1891 instrument above, I really like the forward direction. Being lucky enough to have played a family heirloom Fairbanks Regent since 1974, I have always been attracted to the decoration, especially the engraving on the shell inlays. This early Fairbanks banjo has a great combination of interesting shapes that come alive with the engraver's touch. Specs on this banjo include a 27" scale ebony fretboard that is 1-9/32" wide at the nut. Neck is mahogany with a carved heel, backstrap, and inlaid heel cap. The 12" diameter rim has the full spunover electric tonering and black finished maple on the inside. The tuners are screw tension friction tuners that wok well with the Nylgut strings. Another great banjo that accommodates the classic sound and anything else you might come up with. Price is $3,000 with a gigbag. Photos
1881 Fairbanks and Cole Flush Fret. S. Owen! Where are you? We found your banjo! Likely Owen is no longer with us as it looks like he very lightly scratched his name inside of this banjo's rim more than 100 years ago. This one is another of the early classic era banjos that really speaks to me. The walnut neck has a smooth round shape. The ebony fretboard with inlaid fret markers of white stuff. Could be bone, could be celluloid, or could be hmmm. The real quirk of this banjo are the inlay positions. The dot at the 3rd fret is normal, but then progresses to 68, 11, 13, 17 and the end of the fretboard. I'm sure the craftsman had his reasons for that. I hope Owen liked it. The 11-1/2" maple rim has a Brazilian rosewood veneer on the outside along with zigzag marquetry. All the hooks, nuts and shoes are attached including the patent applied for washers. The Stern brand calf skin head has an older than it's age look and sounds great. For $1,650 you can own S. Owen's former favorite. We include a hard case. Photos
1882 Fairbanks and Cole. Audrey Hepburn. Bugatti automobiles. The Biltmore estate. Sure they might seem like unquestionable icons of classic elegance, but in comparison to this instrument, they have the sophistication of getting arrested in the parking lot of a Tudor's Biscuit World for selling pirated DVDs. The 11 9/16" spunover rim has a gorgeous new Stern Calf skin head installed, a bone tailpiece, a two foot bridge similar to what it would have had originally, and a surprisingly comfortable original Walker's Arm Rest. The mahogany neck has an ebony backstrap, peghead overlay, and new 26 3/16" fingerboard installed here at SFI. All inlays are original save for a few on the fretboard. While the ebony violin style friction pegs aren't the most ideal in terms of modern functionality, they are what this instrument would have had originally so given its age and originality, we opted to install new reproductions. It's stung with Nylgut strings, and paired with the fresh set of frets it has, it plays effortlessly and sounds mellow with just a little bit of snap, as required by many black tied classic banjos players. Be the classiest person you know and get this. It embodies the best of 1882, in contrast with The Chinese Exclusion act and the death of Mary Todd Lincoln. $2,200 With TKL Hardshell case. Photos
1886 Fairbanks and Cole Imperial. This banjo was a mere 81 years old when Frank and Nancy Sinatra recorded their iconic single "Something Stupid". I think it is safe to say that today, a good 50 years later, was the first time a modal version of that song was played on this banjo. Though originally intended for the "popular in it's day" style of Classic Banjo, the tone and playability of this instrument is inspiring to sneak out of the box and try new things. The mahogany V-shaped neck has a 3/16" thick ebony fretboard with attractive abalone and mother of pearl inlays. The frets, tuners and tailpiece appear to be ivory. One of the tuners does not exactly match the others, but it's real close. The 11-7/16" maple rim is elegantly finished with black shellac and all 32 brackets are original, though not all the washers are patent applied for. If that's a deal breaker, you better just purchase the 1881 F&C listed above, which has not been graced with something stupid, or anything stupid for that matter. Price is $3,000 with a sort of beat hard case. Photos
1890's A.C. Fairbanks Electric rim with circa 1999 John Gough neck. John Gough has a worldwide reputation for pearl inlay and engraving similar to that seen on the premier Fairbanks banjos of the late 1890's through about 1905. This instrument was patterned after a classic high end Fairbanks banjo known to collectors as a "Double Griffin". The neck on this banjo is made of cocobolo, a heavy and beautiful type of rosewood. The peghead inlay fills the available space with the double griffin and other heavily engraved shell inlay. The fretboard is also filled to maximum capacity with heavily engraved mother of pearl and abalone inlay. There are 5 cherub-angel images to cheer you on while you play as well as a double dolphin image. The tuning pegs on the peghead are planetary by ABM and a Schaller fifth tuner. The 10-13/16" diameter rim is an original Fairbanks electric with an upside down scallop. The shoes are elegant long two pointed shoes and are accompanied by original ball end nuts with brass hooks. The design of the neck adds about 1-1/4" of fretboard past the 22nd fret. That, coupled with the 24-7/8" scale, brings the bridge close to the middle of the rim. This makes a bassy full sound that is very popular with today's musicians. This beautiful interpretation of a 120-year-old classic costs $5,000, about 1/3 of an original similar banjo made entirely in the Fairbanks factory in 1895. We also include a good modern hard case. Sorry, Sold. Photos
1910 Vega-Fairbanks Tubaphone rim with Bob Anderson "Bee and Thistle" neck. Easily the fanciest bee- themed banjo in the shop. The Cocobolo neck has a 23 3/8" scale fingerboard festooned with inlays of honey bees, honey combs, thistles, and possibly the most elaborate bee hive ever inlayed on a banjo. The peghead overlay has a rather large thistle with bee on top presumably pollinating it, and the peghead's back strap is adorned with the rear view of that image. The neck also features extensive thistle themed heel carving that extends all the way up to the seventh fret, as well as Five Star Planetary tuners that have elegant amber knobs. The 10 3/4" rim's hardware is all gold plated minus the original cammed No-Knot tailpiece, and has the typical Vega blonde finish. Oh yeah and there are some more bees on the dowel stick. Overwhelmed? Yep, me too. But if you need a bee-lated Christmas gift for your favorite old-time banjo/apiary enthusiast, I humbly submit a suggestion. With TKL hard case, $6,500 Photos
1971 Vega PS-1, Pete Seeger Longneck. Pete Seeger - singer, banjo player, activist, and face of the American folk revival, thanks in no small part to his classic show, Rainbow Connection, which featured the likes of Elizabeth Cotten, Roscoe Holcomb, and . . . wait... Quest! The show was Rainbow Quest. Sorry. But I have to admit - a Seeger/Kermit co-hosted talk show would be nothing short of heavenly balm for the troubled world we live in today. But alas. Let us turn our attention to this dashing 1971 Vega Longneck. Built shortly after Martin Guitar acquired Vega, the parts of this banjo were made in Needham, MA and assembled in Nazareth, PA. It has a 32" scale, 10-15/16" diameter, Tubaphone tone ring with late period "dogbone" holes, maple neck, ebony fretboard, and Grover Rotomatic tuners. With the exception of an SFI fret job and new Remo frosted head, all parts are original. It also comes with the original Lifton "Built Like a Fortress" hard case. This instrument is in excellent condition and sounds fantastic, balanced perfectly from the rich low end to the clear, shimmery high end. Sent straight to your door for $2,850 plus shipping. Photos
1978 Vega Tubaphone No 2-5. From 1970 to 1979 the Martin Guitar Company owned the Vega name and produced just under 2,000 Vega branded instruments in their Nazareth PA shop. In 1979, the Vega name was sold to Galaxy Trading of Korea beginning a 10-year run of embarrassingly mediocre Asian made banjos with an iconic brand name attached. With the serial number of 1943, this banjo is one of the last made in Pennsylvania. The bound rosewood fretboard has a 26-1/4" scale and a 1-1/8" nut width. The 24-bracket rim has an 11" Tubaphone tonering and is fitted with a Fiberskyn head. The parts appear all original with the exception of the previously mentioned head. Rosewood armrest cover, and floral pierced tailpiece. Tone is full, meaty, and precise. A great sounding and playing banjo from the end of the 10 year Pennsylvania Vega era. $1,200 with original hard case. Photos
1921 Vega Tubaphone Style M with Conversion 5-String Neck. Therapy is expensive. And lord knows, there are those of us who simply cannot get on without it. Whether you're worried about money, romance, or the apocalypse (what else is there, really), there's a shrink out there that will stand on the highest hill in town and boast, I can fix you! But here's what it comes down to: life on the drab davenport of psychoanalysis isn't going to work for everyone. I guess that's why the universe gave us things like this Vega Style M. It has an 11-13/16" Tubaphone rim, curly maple conversion neck by unknown maker, Renaissance head, 26" string length, and a scooped ebony fingerboard. And after an SFI fret job and cleaning, this banjo is so danged attractive we thought about driving to the beach to photograph it. But, alas, there is only so much time in one working week. Tone is bright, crisp, and articulate, and it plays so smooth, you might think you were dreaming. You'd be wrong about that, of course - this banjo is as real as you are. Now get up off that couch, and announce your presence to the world! With this instrument in tow, there's not a living soul that'll be able to ignore you (we mean it's loud. Real Loud). Yours for $1,200 including a hard case. Photos
1920 Cole's Eclipse Professional. Though this is one of the banjos made late in this firms history, it is still a high quality instrument. With it's 27" scale and the 10 7/8" head it has a bright and precise sound. The ebony fretboard is inlaid with dots, the peghead features an engraved floral design. Modern ABM geared tuners have been installed, the frets replaced, and a proper neck reset done here in our shop. Condition is in the very good range. With a modern hard case this banjo is $1,900. Photos
1900 Cole's Eclipse Professional upgraded to Man In The Moon by John Gough. Starting it's life as a mid grade W.A. Cole Professional, this banjo was upgraded to Man In The Moon Eclipse by John Gough in about 2002. As many vintage instrument fans know, John's work is inspired by the Iccilio Consalvi and it shows. Mr. Gough also added a 26-14" scale fretboard on top of the original 27" board. The shorter scale brings out more mellow overtones and is a little easier to play. Recent work here in the SFI shop includes new frets and a proper neck set. A great slightly modernized banjo with a big vintage vibe. With a hard case, this banjo is only $1,650. Photos
1991 Gibson RB-250. 1991 was a simpler time in the Nashville-Davidson County Metropolitan Government Balance. No one could have fathomed that one day the Gulch would be overrun with drunken bachelorette parties bellowing "Remix to Ignition" off of pedal taverns, or that tapas would be available for purchase within walking distance of the "Murder Kroger" on the east side. But its probably safe to say that when this banjo left Nashville twentyseven years ago, Greg Rich and his crew in the Gibson banjo department figured this banjo would still be making rakes, forward rolls, and tenth fret b string bends sound great today. The aforementioned Mr. Rich was responsible for early 90's Gibson banjos being held in high regard, and this is proof why they are. The workmanship is really nice and while it sounds just a little mellower than some Gibson banjos, it will still bring the drive and volume to let your neighbors know you can play "Lonesome Road Blues." Plus this is in great shape. The 11" three ply maple rim with a 3.3 pound flathead tonering has a frosted plastic head, nickel hardware, mahogany neck, and 26-3/8" scale ebony fingerboard and peghead overlay are all very clean save for some mild tarnish on some of the hardware and mild finish checking on the peghead overlay and resonator. Whether you're a masher or someone who likes playing Cherokee Shuffle in A without a capo, you'll find something to like here for only slightly more money than it took to bail out Jessica after she tried to fight the bouncer outside of Tootsies Orchid Lounge. $2400 With original hardshell case. Photos
1924 Gibson RB-JR. We've been lucky enough to have had several of these rare banjos in the shop, though everyone who works here has been unlucky enough to hear me once again play "Ground Speed" up another octave thanks to the 24 fret, 26 1/2" fingerboard. It has a nice snappy sound thanks to the 10 1/2" maple rim, which is even outfitted with its original banjo-mandolin tailpiece (whatever you do, don't convert this to a banjo mandolin). The maple neck has modern planetary tuners and a honest amount of playwear that somehow adds even more character to this instrument. This banjo is in from the grandson of the original owner, and we are smitten with it. Like Peanut Butter Delights (aka Buckhanon Bad Boyz) from the 24 hour Donut Shop in Buckhannon, WV, this is a shop favorite. It can be your favorite for just $1,500 with the original bump hardshell case. Photos
1970s Gibson RB-175. Even though it says Gibson on a fiddle shaped headstock, this is no utensil of Stanley sound. That's because any instrument with a 31 15/16" scale length isn't gonna cut it on the "How Mountain Girls Can Love", or even more modern Stanley family "classics" like "Papaw, I Love You." Yes, it's a long neck banjo, as favored by folks who know all the words to "Where Have All the Flowers Gone" and "Charlie on the M.T.A." This one in particular has an 11" 10 ply maple rim with a rolled brass tone hoop, which lends itself surprisingly well to a really cool, field recording type old-time sound. The lanky mahogany neck has a 1 3/16" nut width and a D profile. Its fun and easy to play, though a little too easy to knock into things given its giraffe like proportions. For $1.000, it can knock into your things! Includes the original cardboard case. Photos
1890's Thompson & Odell Artist Banjo. We estimate this banjo was in its late teens to early 20s when it heard news of the RMS Titanic sinking into the icy Atlantic waters. It was a witness to the great depression, both World Wars, the birth of television, disco, and American Idol, and now, sitting majestically by my desk as I write this, it is no doubt wondering why I purchased a smartphone the size of a toaster oven. Instruments as old as this one have a certain kind of knowing quality to them, and at SFI we're proud to call them our specialty. This banjo has an 11" spun over rim, mahogany neck, 26-3/8" scale ebony fretboard, and fancy inlays from top to bottom. It also features a most unusual tonering, where the hoop is suspended on posts visible through small cutouts in the wood. It's outfitted with ABM small shaft peghead tuners, a Schaller 5th, steel strings, and a calf skin head. Tone is brassy and bright, and has been expertly set up for smooth, responsive playing. Sent to straight to your door with a Superior II gig bag for $1,000, plus shipping. Photos
1893 S.S. Stewart Orchestra No. 2 Flush Fret. Stewart's Orchestra model banjo was their largest of their standard production. A 27-1/2" scale and a 12"rim (though 13" was optional) this is a fairly big banjo. The number 2 ornament has an attractive number of pale abalone inlays in the peghead and fretboard and a nicely carved heel. The original beaded celluloid tuning pegs have been properly fit and work very well with the Nylgut strings. This banjo even has a Stern calf skin head, so there is nothing you would want to change. One well-executed repair is a replaced peghead ear at the first string. This instrument's long time owner purchased this banjo with a chunk of pine nailed there. He had SFI restore that portion of the banjo in the early 1990's, when this banjo was only about 100 years old. Seems like I can not keep S.S. Stewart instruments in the shop for more than a few weeks these days. Better get it while the getting is good! $1,500 and includes a sturdy TKL gigbag. Photos
1896 S.S. Stewart Lady Stewart. Much like the pinnacle of automotive excellence, the AMC Pacer, this instrument is diminutive in size but big on class. Oh wait, the Pacer is diminutive in size and has a lot of glass. All dream cars aside, this is a charming and remarkably clean example by Philadelphia's favorite banjo maker circa the Grover Cleveland administration. This one has a 9 1/2" spunover rim with a beautiful painted wood grain interior and a calf skin head. The cherry neck has a 22 3/4" scale ebony fretboard with a fresh set of frets. The ebony friction pegs and nylon string set up are as at home on this banjo as a Pacer in Conway Twitty's driveway ("One of my favorite things on this earth is my Pacer auto-mobile"-actual Conway Twitty quote. Not making this up). We think you'll love it like Conway loved his Pacer at just $1,350 With gigbag On Hold. Photos
Circa 1895 SS. Stewart rim with modern Jim White fretless neck. Much like DJ Jazzy Jeff, the name S.S. Stewart is synonymous with '90s music of various centuries from Philadelphia. Similar to the many of the sweet jams DJ Jazzy Jeff is involved with, this instrument is something of a collaboration. While the 12-3/8" spunover rim is an S.S. Stewart creation, the stained maple neck and rim interior marquetry is the handiwork of Seattle based craftsman Jim White. Using original Stewart style decoration Mr. White has created an appropriate presentation grade fretless that's as attention grabbing as the jacket Mr. Jazzy Jeff wore on the cover of Things That You Do. The peghead is covered in engraved mother-or-pearl. The ebony fingerboard has less decoration, but is quite complementary of the peghead. Turn the banjo over and get a dose of the large carved lion on the heel and the floral carving on the back of the peghead. The 5-star planetary geared tuners and Schaller 5th are upgraded with carved bone knobs that are beaded around their exterior perimeter. For a sound somehow deeper than the lyrics to DJ Jazzy Jeff and Fresh Prince's 1991 hit "Summertime" we set it up with Nylgut strings and tuned low to an open E. We can't resist a banjo that booms like that sick Kenwood system you installed in your Impala after DJ Jazzy Jeff and The Fresh Prince dropped there aforementioned smash hit. Bottom line: this banjo is really fun and inspiring to play. With a Lifton hard case from the 1960's, this banjo is $4,000. Photos
2005 Cedar Mountain L2R. Brevard, North Carolina is known for its natural beauty, thriving small town culture, and of course, its white squirrels. (See: the annual White Squirrel Festival held in Brevard in May). Legend has it these snowy wonders fell off of a carnival truck years ago, and the rest is history. This Cedar Mountain L2R almost certainly did not fall off the back of a truck, though it too is part of a proud Brevard tradition. Over the past 25 years, Lo Gordon and Tim Gardner's craftsmanship has earned Cedar Mountain Banjos a strong reputation in the old-time music community - elegant, creative, and a ton of fun to play. This particular model features a maple neck, 25-1/2" string length, ebony fingerboard, and an 11" granadillo block rim. Attractive marquetry around the rim, plus the classic moon & stars peghead inlay, brings a bit of extra refinement to the whole package. And, lest we forget, this banjo comes with a resonator! With just one screw going into the dowel stick, it's exceptionally easy to mount or remove, so you can adjust your attack as needed. Resonator off, the tone is warm and clear and just a tad on the mellow side. Resonator on, it'll cut through just about anything. Sent to your door for $1,750 plus shipping, this banjo is tuned up and ready to journey with you into the heart of white squirrel country and beyond. Photos
2015 Chuck Lee Marble Falls with Tubaphone Tonering. In the 1902 Georges Méliès French adventure film, "A Trip to the Moon," a band of ragtag astronauts fly their bullet shaped craft (with the help of early stop motion animation) into the man in the moon's right eyeball, much to his dismay. The still from this scene is an iconic symbol of early film, and, also, deeply weird and unsettling to look at (you owe yourself a quick stroll down Google boulevard to see just how right I am about this). Here at SFI, we prefer our men-in-the-moon to be beautifully inlaid on banjo pegheads, with both eyes intact, and possessing an overall easy-going countenance. That's why we are beyond excited to present to you this 2015 Chuck Lee Marble Falls. With an 11" rim, 25-1/4" scale, aforementioned peghead design, long "Texas" style scoop, and ebony fingerboard, this instrument is straightforward and stylish, and just a tad out of the ordinary. The Tubaphone tone ring packs its standard punch, offering plenty of volume and depth. Players will also notice the versatility of this instrument - just the right amount of brightness when played closer to the bridge, good and tubby when played over the scoop. Down from the list price of $3275, this fine instrument is yours today for $1900 plus a Superior hard case, and, unlike that French moon man of yore, will almost certainly not give you nightmares to gaze upon it. Photos
2003 Sagmoen Fretless. Fall is here, which means it's time to get cozy - break out the apple cider, your 15 year old slippers, and snuggle up on the couch with a made-for-TV-movie based on a book. What's that? Tired of the same autumnal rigmarole year after year? Us too. This season, why not forgo the fuzzy hats and shaved nutmeg and try something a little more active? What we mean to say is, for our money, there's nothing cozier than the sound of a fretless banjo, strung up with a fresh set of nylguts. This Wayne Sagmoen build most certainly fits the bill, with a 12" maple block Ashborn style rim, maple neck, and an attractive ebony & brass fingerboard with scoop. It's also been outfitted with geared tuners, amber buttons, and a new Fiberskyn head. The sound is warm and deep with the right amount of clarity, lacking the "mushiness" that instruments similar to this one sometimes have. Sent to your door for $1,000 plus shipping and you can even wear your ancient slippers while you play it. Photos
Recent Deering Goodtime; Everything about this banjo screams, "Look at me, I'm so practical!" And it's true, holding a Deering Goodtime in your hands probably won't make your entire being soar, but they are designed and priced perfectly for their intended function. This is your student banjo par excellence, your travel banjo, your some-goon-at-a-festival-borrowed-it-from-you-without-asking-and-left-it-under-their-car-all-night banjo. Its look is simple and straightforward, and tone is just a bit more twang than plunk. It'll hold its own in a jam setting, but also has enough personality to make it satisfying for solo playing. This one in particular is in excellent condition, and has an 11" maple rim, 26" string length, new Fiberskyn head, and the tuners have been upgraded to 5-star planets. Comes with heavy-duty embroidered gig bag. For only $400, your humble workhorse awaits. Photos
2016 Gold Tone WL-250. The addition of the Whyte Laydie style tonering makes this imported banjo a little brighter and clearer that the other Gold Tone banjos we sell. The comfortable, slim, maple neck is finished in a walnut color and features cloud inlays on the fretboard. 11" rim and a 26-1/4"" scale. The list price is $1,219. Our selling price for ths lghtly used example with a blue Boulder Alpine gigbag included is $600. Photos
J. French Cleve'd O. banjos. J. Lafayette French made banjos in Cleveland Ohio from the 1870's to about 1900. We are currently researching J.L. French and his banjos. If you have any information on J. Lafayette French the banjo maker, or his family we would love to hear from you. We are also documenting any banjos made by his company. Please click the contact button and let us know what you know. We will also gladly answer any questions about J. French banjos to the best of our ability. Check out the in progress web site www.jfrenchbanjos.com
J. French Banjos, Contact us...
1890's Unmarked Spun-Over Banjo Rim. This particular rim is very similar to an S.S. Stewart, but enough subtle differences that I would do not think it was made by that Philadelphia firm. The diameter is about 10-15/16". Depth is 2-1/4". We decided not to clean it for those of you that prefer
1915 Cole Tenor Banjo marked S.S. Stewart. In this late period in Cole's manufacturing timeline they were making instruments for other companies. We have had some Cole banjos marked Washburn and now this one Marked S.S. Stewart. After Samuel Swaim Stewart passed away, his company passed through several hands. At the time this instrument was made the Stewart trademark was owned by Buegeleisen and Jacobson (B&J) a musical instrument wholesaler. As a tenor banjo the restoration work is significantly more than the value of the banjo. But the 10-15/16" diameter rim will make a great conversion. All the parts are there and the rim has a great Rogers calf skin head. Price is $500 in as is condition. Photos
1923 Vega Whyte Laydie Style R Rim. These hard to find 11-13/16" Whyte Laydie rims sound great when a conversion 5-string neck is installed. This one is in very good condition and has all it's hooks & nuts as well as all the original 2 point shoes. It does not include the dowelstick, but we will be happy to dig up the neck attachment hardware you need. All original finish with the exception of the bottom of the rim where we had to fill a few screw holes where a previous owner attached a plate resonator. Price is $800 and we can get it in tomorrow's mail. Photos
1890's Lyon & Healy Banjo Rim. If you're reading this, you most likely understand the SFI website and its primary directive - enumerate parts and instruments for sale, give their prices, and provide points of contact through which to order said items. But on some occasions, we also like to think of our page as a bit of a match-dot-com situation - paring eager musicians up with the instruments of their dreams, and sometimes, paring instruments up with other instruments. This undeniably cool, 10-3/4" Lyon & Healy spun over rim has been flying solo for a while now, and lately, all it can talk about is meeting a nice neck and settling down somewhere. Think you know someone? Got some open space on your own workbench just begging to be filled? This 1890s era rim has extra wood glued to the top to act as a tonering, and 40, count 'em, 40 brackets, all original except for two, and the replacements are good matches. Speaking of good matches, listen- you'd take a chance on a person, so why not take a chance on an archaic assembly of metal, wood, and plastic? We know you're curious. Sent straight to your door for $175 plus shipping. Sorry, Sold. Photos
FOUR STRING & MANDOLIN BANJOS
1927 Bacon B&D Silver Bell #1 Tenor Banjo. Here's a snapshot of modern life you may recognize. Someone has just sat down by a roaring fire, in the deep dark hours of a deep dark winter night, to at last turn their attention away from Facebook and Netflix, toward the business of the soul. What diversion awaits them at this curious hour? You guessed it. They're going to sit a while and play some depression era jazz. But what, you ask, will they do, if someone breaks into their house while they're playing and they must quickly cease all noise so as not to be found? If they're smart, the answer is already in their lap - a 1927 Silver Bell #1 with built in knee-mute. Like many of the Bacon banjos that come through SFI (yes, the Bacon Company, despite the misleading B&D logo on the peghead), this instrument is quirky, yet refined, and a little bit over-the-top. It has an 11" rim, F-Hole flange, patented Silver Bell tonering, Oettinger tailpiece, and is set up in jazz tuning. Louder than heck, it snaps, sparkles, and barks just like it should, and, of course, should you find yourself in a tight spot, you're one bend of the knee away from disappearing into the night. It may also be helpful in keeping folks at the Tuesday night jam from pouring beer on your head. Know your crowd, folks, that's what we always say. Yours for $1,100, including a Harptone hard case. Photos
1928 Paramount Style A Tenor Banjo. William Lange's banjos had come a long way from the 1890's when he and his partner purchased the remains of New York City's Buckbee Company. From the Buckbee "replicas" to the Orpheum, to the Paramount line, they went from somewhat primitive to a well engineered instrument. I have personally liked the style A banjos the best of all the Paramount models. Hard maple neck with a rosewood fretboard and just enough mother-of-pearl inlay to look fancy, but not get you lost on the upper reaches of the fretboard. This instrument is comfortably worn, but important things like new frets and new ABM small shaft tuners are on board to make it play like a champ. With the Jazz tuning, this banjo has snap and punch that will get you heard, just like Paramount banjo endorser Harry Reser and his Clicquot Club Eskimos. With a Harptone hard case, this banjo is $900. Photos
1920's Maybell by Slingerland Tenor Banjo. I like Pearloid Do you like pearloid? That is what I usually say to telemarketers when my day is interrupted by their annoying calls. Since they really can't answer that question they shut up, give up, and hang up. But I really do like pearloid, especially the engraved champagne colored overlay that decorates the peghead. This banjo's spec list includes a maple neck with a 22-5/8" scale fretboard. The 10-3/4" rim has a simple steel hoop for a tonering and a 13-12" resonator. The only significant new parts are the set of Gotoh planetary tuners we recently installed. We set it up in Irish tuning, but if you are committed to jazz tuning, no worries. One set of strings and a new bridge will have you on your way to a Harry Reiser tribute band. Hmmm, something new for the telemarketers; "I like Harry Reiser, do you like..." Nah, I'll stick with pearloid. This prewar banjo is only $400 and a case is included. Photos
1920s Slingerland Tenor Banjo; The great 18th century Zen monk Matsuo Basho once wrote "Seek not the path of the ancients; seek that which the ancients sought." Though it is not exactly fair to call this banjo 'ancient,' we think this quote is still (sort of) relevant to the life of this instrument. To put it gently, there is an appreciable difference in the economy instruments of now, and the economy instruments of 100 years ago. This pleasingly unadorned four-string banjo features a 17 fret maple neck, 10 3/4" maple rim, and a 21-1/4" scale. It's also been outfitted with Gotoh planet tuners, and has been set up for Irish tuning. Tone is warm, with plenty of bass, and just the right amount of growl. Built simple and built to last, we have no doubt this banjo will help you find your Zen. In worn yet sold condition the price is $350 with gigbag. Photos
1920s Washburn Banjo-Mandolin. Yes, it's loud. But there is a surprising warmth and nuance to this banjo mandolin that is rare in any eight stringed, banjo head equipped instrument. The 10 3/4" maple rim has a donut style tonering, which would be responsible for any trace of tonal subtlety this instrument has. The well-worn neck has a 13 1/16" scale fingerboard and a 1 3/16" nut width. This would probably make a really nice five-string conversion with some help from your favorite neck craftsman, but if you want your neighbors to "enjoy" your version of "Daybreak in Dixie" too, its perfect as it is. $600 with original hardshell case. Pictures coming Soon.
1920's Weymann Style 40 Mandolin-Banjo. Like Will Smith's character in "The Fresh Prince of Bel-Air," this banjo mandolin was West Philadelphia born and raised. While significantly older than Mr. Smith, this well preserved instrument has retained it's freshness through the decades just as he has. Anyway, the 10 1/2" rim and neck are both maple, and all hardware is original. The nut width is 1 1/4", and the scale length of the original refretted ebony fretboard is 14 3/16". And yes, it's loud, but it's a banjo mandolin so you knew that. $700 with original hardshell case. Photos
1925 Weymann Style 35 Mandolin-Banjo. This is a clean and interesting piece of Weyman's ingenuity. A 9" maple rim, with it's likely original calf skin head and the Weyman patented neck adjuster coupled with a one piece hard maple neck with a 13-7/8" scale fretboard. The big bonus with this instrument is the slip on resonator. Sure it's louder, but you also don't have to feel the neck adjuster dig into your belly when you stand up to play. The straight neck and recently dressed frets make this instrument play like a dream. We also made a custom compensated bridge so it plays in tune. Hmm The best of both worlds? Probably not, but this puppy has the punch to be heard in any jam session. From Jug band to alt rock this one will fit. In excelent condition and the price of $950 includes a boulder alpine gigbag. Photos
1915 Fairbanks by Vega Tubaphone style M Tenor Banjo. Manufactured only a few years after Vega first started producing tenor banjos. This one, like most style M's, has a maple neck. The scale length is 21" and has a freshly refretted ebony fretboard. The rim diameter is 11-13/16" and has all the original hardware with the exception of the reproduction No-Knot tailpiece. Set up for Irish playing, with low tuning and the Remo Fiberskyn head, this banjo has a full tone that is sure to please. 2 minor alterations worth mentioning; a filled hole on the back of the peghead & refinished headstock (good work) and new Gotoh tuners. In very good to excelent condition with an original hard case, this banjo is $1,200. Photos
1914 Fairbanks by Vega Tubaphone 5 String Tenor Banjo. Vega made a reasonable number of oddball instruments over the years. This banjo falls into that category. In 1914, tenor banjos, as we know them today, were in their infancy. Vega had just started manufacturing them 2 years earlier. At this point Vega had not even assigned model names. Here are the specs of this odd duck; Neck is mahogany. The peghead has a torch inlay while the 19-5/8" scale fretboard has engraved dots, star, and bell thingie. The heel of the banjo is carved in a modified form similar to Vega's Tubaphone #3 5 string banjos. Unfortunately the heel was cracked, but repaired well. To accommodate the 5 strings, an extra hole was drilled in the peghead inlay. The first string is double strung, like a mandolin. The 11-1/2" Tubaphone rim is all there and conforms to factory standards. The Kershner tailpiece has 5 lugs for string loops, but only 4 holes at the edge of the tailpiece. We are selling this banjo as is. To get it up and playing well will take a little bit of repair, but some folks see a banjo like this, with it's rare 11-1/2" Tubaphone rim as a good candidate for conversion to a conventional 5 string. All in all the banjo is in very good plus condition and ready for the direction you want to take it. Priced at $1,200. Photos
1940 Wards by Gibson Tenor Banjo. A simple tenor banjo made by Gibson for the famed discount mail order and department store; Montgomery Wards. This banjo has a mahogany neck with a 22-3/4" scale dyed maple fretboard. The 11" diameter 2 ply maple rim is 5/8" thick and has 16 brackets. There was once a resonator, but is long gone. This one sounds great as a tenor and has great potential for a 5-string openback conversion. In better than good condition with a well worn soft (stiff cardboard) case. Price is $450. Photos
1920's Weymann 150 tenor banjo. From the city of Brotherly Love (and Mummers!), here is a pretty clean example of the work of the storied Weyman Company. This banjo, which is clad in its original sort of green/brown hued finish, has a moderately figured curly maple neck with a 22" scale length ebony fretboard with 18 frets. The 11" maple rim, which also has some nice though subtle figuring, features a Little Wonder style tonering. A bulky, yet functional, "Weyman Patented Neck Adjuster" is attached to the heel and dowel stick, and its recent setup by SFI gave the instrument new Gotoh tuners, a modern no-knot tailpiece, and a fresh set of frets. $650 can take this one home in its new Superior gigbag. Photos
1923 Weymann Model 135 Tenor Banjo. This super clean instrument from the early jazz age is in mostly original condition. The blond maple neck has a 22" scale ebony fretboard with dot inlays with new Gotoh planetary geared tuners installed. Unfortunately the Weyman Keystone State decal on the back of the peghead has deteriorated. The 10-1/2" 6 ply maple rim has no tonering. The Remo Fiberskyn head sits directly on the wood. With the exception of the tailpiece, this banjo retains all it's original nickel plated hardware and includes Weyman's patented neck angle adjuster. Set up for Irish style playing, the tone is clear and precise. But all you early jazz fans take note that jazz tuning is as easy as a new set of strings and a bridge. An excelent condition instrument priced at $500, including a good gigbag. Photos
1926 Gibson UB-1. This is your chance to own a pre-war Gibson flat head banjo for about one tenth of the current market price of your coveted TB-3 conversion. Well, OK this instrument is not a Mastertone 20 hole flat head. Actually has no metal tonering at all. But it sure is loud! UB-1 were Gibson's least expensive banjo ever produced but with a maple neck and 2 ply 6" maple rim it does have the features of a high grade banjo. The resonator is a flat plate suspended with 4 spacers. I love the stenciled "The Gibson" peghead logo. In very good/excelent condition. At the price of $550 it comes with gig bag. Photos
1920's Slingerland Banjo Uke. This humble old banjo uke has been through sort of an Herbal Essences type transformation - you remember those commercials, right? If not, the gist is that people really, really like washing their hair with Herbal Essences shampoo, and emerge from the shower looking like movie stars. Only, instead of dry, dead, frizzy hair being transformed into a luxurious cascading mane, we've taken out the old crappy frets and put in new ones. And since we also put on new Gotoh tuners, and a Renaissance head, we bet this (unmarked) 1920s Slingerland feels a little like a celebrity right now. Other specs: maple neck and 8" birdseye maple rim, steel hoop tonering, and a charming faded decal on the peghead that reads "Sterling." Looks good, sounds good, smells fabulous. For a paltry $350, you can spend the rest of your days getting at the "essence" of this instrument. Comes with a gigbag, or upgrade to a hard case for an additional $75. Photos
1920's Unmarked Slingerland banjo uke. The first thing you should know about this banjo uke (if you have not looked at the photos yet) is the adorable Harry Potter-esque scar on the peghead. And instead of subjecting you to a tiresome barrage of similes about how an upright bass is like Hagrid and a Gibson J-45 is like Dumbledore and SFI is Hogwarts (god help us all), I'll just give you the straight scoop. This cute lil' fella has a 7" maple rim with new calfskin head, maple neck, and 13 -7/8" string length. The original tuners and finish of the neck and peghead are complemented nicely by new amber colored knobs. Loud, too. Yours for $200, with gigbag. Sorry Sold. Photos
1925 Epiphone Banjo Uke. For the practical strummer with an ear and eye for the antique and the archaic (we guess)! One of two fairly similar Epiphone banjo ukes in stock right now, this 4+ lb mini-beast has an 8-3/8" diameter rim, high grade calf skin head, and a maple neck. Low precision action plus a new 13-7/8" inch scale ebony fretboard installed right here at SFI means it plays great. The natural maple finish, unique bracket band instead of shoes for hooks & nuts, and the original vintage Epiphone decal on the back of the peghead, means it looks cool, to boot. Snappy and articulate and plenty loud, On Hold.
New Banjo Uke Case For Vintage Gibson UB-2 and UB-3's. Several years ago noted banjo builder and inlay artist Kevin Enoch designed and had manufactured the nicest hard case for his banjo ukuleles (see below). They fit most any banjo uke with an 8" rim, with a notable exception; vintage Gibson UB-2's and Gibson UB-3's. The plate resonator of these instruments made them taller than the Enoch case could accommodate. Partnering with Enoch Instruments, Smakula Fretted Instruments has released a modified version of that case to fit those 8" diameter vintage Gibson banjo ukes. This case is attractive, sturdy and affordable. The introductory price is only $95 plus shipping. Photos
Banjo Uke Hard Case. Designed to the specifications of Kevin Enoch, this banjo case is certainly the nicest one on the market. It fits openback banjo ukes and 5 string piccolo banjos with an 8" diameter rim, 23-1/2" total length and a maximum depth of 3" (from the bottom of the rim to the top of the bridge). The simulated leather covering is brown, and the lid is arched for extra strength. Very nice. Retail price is $120, our discount price is $95. Photos
New Wire Armrest for Openback Banjo. One of the most important accessories we sell is this reproduction Vega and Fairbanks style wire armrest. Adding comfort to holding the banjo allows you to concentrate more on playing. Any banjo we sell that did not come with an armrest has one of these installed before the sale. And if you need one for your other banjo, they are only $18 for nickel plated and $15 for the raw brass. Photos
Guide to Physical Condition;
New; An instrument that came to us from the manufacturer. It has never been owned by a consumer and has it's full warrantee.
Mint; As the instrument came from the factory. No blemishes at all
Near mint; Almost as it came from the factory
Excellent condition, a very clean instrument that has a few minor blemishes
Very Good Condition, reasonable wear for its age.
Good Condition; plenty of player wear.
Plus or minus indicates the condition is half a grade better or worse.
We ship most of our instruments via UPS. Cost to ship a mandolin is $20 to $40. Cost to ship a guitar or banjo is $25 to $60. The cost of insurance is extra. We will be happy to quote before shipping.
Small goods like banjo heads and other parts cost $7 per order for Priority Mail shipping in the continental US no matter what the order size. The cost of orders headed out of the continental US will be quoted before they are shipped.
We are legally obligated to charge 6% West Virginia sales tax on anything purchased here at the shop or shipped within the state of West Virginia. We do not charge sales tax on orders sent out of state.
Call us at 304-636-6710. For payment we accept checks, wire transfers and MasterCard & Visa. If you prefer Paypal, please send us an email requesting a Paypal invoice.
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