PO Box 882, Elkins, West Virginia 26241
Phone Hours; 9:00 AM to 6:00 PM, Eastern Time, Monday through Friday and occasionally on Saturday.
Guitars, contact us...
Page Updated 10-21-2018
Please Visit our Home Page for links to our banjos, fiddles, mandolins, and more.
1953 Martin 00-18, $3,000
1943 Martin 000-18, $9,000
1948 Gibson L-7. On Hold
2006 Santa Cruz HG13. Warning: side effects of purchasing this beautifully appointed custom guitar from one of the finest builders out there may include: 1. Strumming big beefy G-chords when you are supposed to be feeding yourself, getting ready for work, looking at the road, etc. 2. Laughing like an evil king in the presence of lesser guitars (you will lose friends) 3. Losing days of your life playing out an elaborate fantasy in which you are a parallel reality version of yourself named Jumahl (inside of guitar reads "for Jumahl, love Lynda") but, since we actually know Jumahl, we're pretty sure he'd tell you you are fine just the way you are. Anyway, this OO'ish sized guitar features a red cedar top, mahogany back & sides, bound headstock with elm burl overlay, tortoise binding, and attractive rope marquetry around the edges and soundhole. The slotted peghead with Santa Cruz branded tuners gives it just a bit of vintage flare, and the neck is 13 frets to the body, with a 25-3/8" scale ebony fretboard. Tone is warm and deep with just the right amount of snap. Needless to say, the side effects are all worth it, and it's yours for $3,900 with the original Santa Cruz case by TKL. Photos
2006 Gibson Blues King. The 1930's was truly the golden age of vintage guitars. From what turned into the undisputed king of bluegrass guitars, the dreadnought, to smaller full and balanced sounding instruments like Martin's 000 and Gibson's L-0 and L-00. As prices for those original instruments have climbed over the years, their original makers have taken notice and reissued similar instruments with modern features. This 12-year-old Gibson was based on the L-00 series guitars. The top is spruce and back are bubinga and the neck mahogany. The Indian rosewood fretboard has a comfortable 24-9/16" scale with a 1-11/16" nut width. Tone is sweet and clear. An easy guitar to play and if you are gigging, the factory installed active pickup won't let you down. To own this guitar you will not have to go to the crossroads for a sketchy transaction at midnight. You can come by the international headquarters of SFI (near, but not at a crossroad) and exchange $1,500 for this instrument that is in excelent condition and a hard case. Tempted? Check out the pictures to get you on the phone to reserve this one. Photos
2011 Jubal 00. It's 1984 and you've been working for Gibson in Kalamazoo for 21 years and suddenly the plant on Parsons Street is scheduled to be closed. If you are a long time Michigan resident like Aaron Cowles, you start your own music business and start making guitars! This guitar is an homage to the Gibson L-00 guitars manufactured in the 1930's that have become very much in demand over the last 25 years. Mahogany back, sides and neck with a spruce top and rosewood fretboard and bridge. The scale length is 24-1/2"and nut width is 1-11/16". Details from like the body shape, sunburst top finish and interior craftsmanship are remarkably similar to the guitars it tributes. Tone is well balanced and is fun to play. Sadly Mr. Cowels passed away in 2014, so his craftsmanship will no longer grace a new instrument, but we have this and another to satisfy your need for a Michigan made guitar. In excelent condition and is priced at $2,500 with the original TKL case. Photos
2011 Jubal 00. Like the guitar above, this instrument was made by Aaron Cowels in Vicksburg Michigan. Though very similar to the one above, there is one very significant difference; Nut width is a slightly narrower 1-5/8". Tone wise this one is warmer and more bassy. Superior hand made craftsmanship and really fun to play. $2,500 with original TKL hard case. Photos
1949 Epiphone Emperor. While this isn't quite as large as the 1,000 LB black Gibson embossed with Travis Tritt's name that was housed in the now defunct Georgia Music Hall of Fame, this is possibly the largest guitar a person could play "Here's a Quarter (Call Someone Who Cares)" on. Also, unlike my experience with said 1.000-LB guitar, you won't be politely yet firmly asked to leave the premises for attempting to do so. But really, this is an exceptional instrument, as the tone is warmer than the sunbeaten sidewalk on which I made my sheepish departure from the Georgia Music Hall of Fame. Jazz rhythm and lead, Carter Style playing, and the intro to TLC's "No Scrub"(who distressingly never made it into the aforementioned hall of fame despite Atlanta origins) all sound tremendous on this gigantic specimen of an instrument. How gigantic? The lower bout measures in at 18 1/2" inches. The spruce top, figured maple back and sides, and seven piece curly maple and walnut neck look stunning paired with the natural finish that aged beautifully thanks to decades of professional use by a jazz guitarist in Hawaii. Apart from the replaced frets and pickguard, this guitar appears remarkably original from the Frequensator tailpiece to the gold plated E-stamp tuners. With a 25 5/8" scale length, a 1 11/16" nut width, and a surprisingly diminutive yet comfortable D profile neck, this guitar plays easier than you'd expect it to as well. For $5,500, you could enjoy the company of this friendly giant of a guitar, which includes the largest tweed hardshell case you've ever seen. Photos
1951 Epiphone Byron F-hole archtop. This guitar has taken its fair share of licks (pun intended), but its true character shines through. This instrument plays beautifully, is well balanced across the high and low end, and barks just like an arch top should. With a 25-1/5" scale, and 15-1/4" lower bout, the Byron is just a shade smaller than your standard arch top. The solid carved spruce top, sunburst finish, and red tortoise pick guard gives it a classic look and feel. Refretted and top cracks repaired right here at SFI. $1,200 with newish hard case. Photos
1982 Dobro 60D. When this Dobro was made I was in Cleveland running the first Goose Acres music store with my father and an idealistic dream of changing the world with the banjos and dulcimers we were making. Bad news for the Goose; the economics of Reagan era and the fact that musicians were giving up on acoustic instruments and playing synthesizers slowed down those dreams considerably. Fortunately in addition to the hand made instruments we offered we were also selling the best of other acoustic instruments on the market including the Dobro brand. Though I have no idea if this OMI (pre Gibson, thank you very much) actually was sold at the 2019 Cornell road shop, it sure looks like the one we offered. A nice sunburst finish on the laminated maple back and sides. The original spider resonator cone is in great shape. Though I am not really the guy to ask about Dobro tone, since I only made it to "Home On The Range" in the Mel Bey EZ-Play Dobro instruction book, with a new set of D'Addario 1/2 round resonator guitar strings, this one sounds full and meaty to my ear. All in all the guitar is in excelent condition and for $1,000 the original hard case is included. A note on the pictures; Inside there is some graffiti from the factory and from the most recent owner. We thought it would be fun to share that with you. Photos
1930's Supertone by Harmony F-hole archtop guitar. Made for and sold through Sears, this guitar, originally set up for Hawaiian style, is now ready to rumble for standard playing. With a recent neck reset and setup done here at SFI, it sounds and plays smooth, but still has the crunch you want out of an arch top. And with a solid spruce sunburst top, it doesn't look half bad either. 25" string length, 15-5/8" body width. Comes with original hardshell case that likely cost as much as the guitar itself. Just waiting to join your collection of funky mass-market guitars of yesteryear. $1,200. Photos
1950s Oahu lap steel. The headstock logo reads "Oahu Publishing Co. Cleveland, O," and has some silhouettes of palm trees. Palm Trees in Cleveland are as viable as Browns would be in the Superbowl, but regardless of the plant life/geography conundrum that exists on the headstock, this is a great looking and sounding instrument that modern makers have based their lap steel designs on. It has a 25 11/16" scale fretboard, a weird pot metal pyramid bridge, and a tone selector on the back. It's an inexpensive way to get your Don Ho cover band rolling. $500 with original hard case. Photos
1993 Larrivee D-19M, Custom. Stunning curly maple. I could stop there, as I have your attention and you are heading to the picture link right now. But since you'll come back for the details, I may as well finish. Founded in 1967, Canadian guitar manufacturer Larrivee has been producing some outstanding, precision crafted guitars in the almost 50 years since. Here are the details on this 24 year old. Mahogany neck with a 25-1/2" scale grained ivoroid bound ebony fretboard. The 6 abalone position markers look like a torch with symmetrical wings. The peghead is decorated with a 3-1/2" long seahorse of engraved mother of pearl. The dreadnought shaped body had a Sitka spruce top with a professionally repaired center seam and the previously mentioned master grade quarter-sawn curly maple. The body is bound in straight maple with black & white purfling to accent. Tone wise the guitar booms. A significantly bigger bass than you expect from a maple instrument. After performing necessary quarter century maintenance of a refret and new bone nut and saddle, it's ready for you to make some fun music. This is not a model that is currently available, so if curly maple speaks to you, snag it now! In excelent condition with the original Larrivee branded hard case the price is $2,500. Photos
1987 Guild GF-60 Blonde. With its naturally finished Sitka spruce top and very curly maple back, sides, and neck, this guitar is as blonde as Brittany Spears' hair in her music video for "Toxic," AKA the apex of her storied career. Sound wise, it's as bright as the sparkly stuff she was wearing in the non-flight attendant outfit part of the video. Oh, you'd like some details without Brittany Spears references tied in? The shallow D profile neck has a 1-11/16" nut width and a 25 9/16" scale length on an ebony fretboard. The lower bout measures in at 16 1/8". An active onboard pickup (likely Fishman) was installed should you need to make your acoustic rendition of "Hit Me Baby One More Time" really loud. and so much for no more Brittany references. $1,500 With original hardshell case. Photos
New Recording King RPH-P2-TS. Parlor Guitar. We've come to expect quality from Recording King, and this stylish, economical, parlor-size guitar is no exception. With a solid spruce top, sunburst finish, and rosewood fretboard, the clean, matte look is a welcome departure from your standard, over-glossy, factory guitars. And guess what? It sounds great, too. 24-1/4" string length, 12-11/16" body width. $250 with hard case. Photos
New Recording King ROC-9-MBL. 000 Size Guitar. What else can we say? This is a lot of sound for not a lot of money. And like other Recording King guitars of the same class, the look is stylish and just a tad out of the ordinary. The deep blue finish, with pearloid fretboard, means you will look good holding this bad boy, guaranteed. 25.4" string length. $300 with hard case. Photos
New The Loar L0-16. This is an imported deep body Gibson L-00 copy with a natural top. It's a great fingerstyle and old-time rhythm guitar that is way more fun and less expensive than having to rebook two tickets on Delta because you forgot what week your gig was. It has a 24 3/4" rosewood fingerboard with a 1 13/16" nut width, vintage style Grover tuners, laminate mahogany back and sides, a solid spruce top with x-bracing, and a SFI setup. It's a lot of guitar for just $450 with hard case. Photos
New Recording King RJJ-116-NA. A great looking & sounding 16" Jumbo flat top guitar that is reminiscent of a famous maker's J-185 model. This guitar has a solid Sitka spruce top, laminated mahogany back & sides, mahogany neck with a bound rosewood 24-3/4" scale fretboard. The sound is bright, but not thin by any means. After a quick trial with Larry Sparks licks, cheesy western movie bad guy music, and a less than competent rendition of "Stairway to Heaven," this guitar has proven it can handle a gamut of styles without putting up a fight. Plus it looks pretty darn sharp. This is a discontinued model, so we can offer it at a bargain price of $350. with a new TKL hard case. Photos
We ship most of our instruments via UPS. Cost to ship a mandolin is $20 to $40. Cost to ship a guitar or banjo is $25 to $60. The cost of insurance is extra. We will be happy to quote before shipping.
Small goods like banjo heads and other parts cost $7 per order for Priority Mail shipping in the continental US no matter what the order size. The cost of orders headed out of the continental US will be quoted before they are shipped.
We are legally obligated to charge 6% West Virginia sales tax on anything purchased here at the shop or shipped within the state of West Virginia. We do not charge sales tax on orders sent out of state.
Call us at 304-636-6710. For payment we accept checks, wire transfers and MasterCard & Visa. If you prefer Paypal, please send us an email requesting a Paypal invoice.
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